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Where the Devil Can't Go, He Sends a Woman 2 (2023) [N/A]

Release Date:
January 20, 2023

Original Title:
Gdzie diabeł nie może, tam baby pośle 2

Genres:
Comedy | Crime | History

Production Companies:
Global Studio
Heliograf
Kinostar

Production Countries:
Poland

Ratings / Certifications:
 N/A

New scams. Old deals.

Overview from TheMovieDB

The true story of Polish fortunes and the story of the heroes from the first part has its colorful continuation. Can business friends continue to trust each other when even more money is at stake? How were state-owned companies privatized, garnering millions into private pockets? Who was pulling the strings in free Poland? Even more mysteries. Human weaknesses.

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Additional information:

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Performers

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Production

Assistant Costume Designer:
Kornelia Kubańska-Kur
Luiza Lechnia-Szamałek
Katarzyna Sałdak

Assistant Director:
Vanessa Iwanowski
Kamil Lewandowski
Anastasiia Pazynych
Gabriela Łukasz

Assistant Makeup Artist:
Urszula Dobrogowska
Julia Hebel
Adrianna Orych
Anna Kieszczyńska
Lidia Buczek
Kamila Czyżewska
Natalia Zych

Assistant Production Manager:
Karolina Grześkowiak

Assistant Property Master:
Maria Magdalena Jeziorowska

Best Boy Lighting Technician:
Tomasz Sadurek

Camera Operator:
Wojciech Węgrzyn
Andrzej Łukasz

Casting:
Monika Figura
Jolanta Owczarczyk
Heathcliff Janusz Iwanowski
Amelia Radecka

Catering:
Paulina Rak

Co-Producer:
Justyna Żmudzka
Hanna Jadczak

Coordinating Producer:
Magdalena Rychła

Costume Design:
Tomasz Jacyków

Creative Producer:
Heathcliff Janusz Iwanowski

Data Management Technician:
Mateusz Smereczyński
Jan Olszewski

Digital Intermediate:
Mateusz Budnik

Director:
Heathcliff Janusz Iwanowski

Director of Photography:
Wojciech Węgrzyn

Editor:
Bartosz Karczyński

Executive Producer:
Jolanta Owczarczyk

Focus Puller:
Tomasz Nowak

Grip:
Łukasz Łapiński
Paweł Traut
Hubert Wąsiewski

Hairdresser:
Przemysław Grejcz
Joanna Wzorek

Health and Safety:
Wojciech Konkol

Makeup Department Head:
Joanna Szołtysek

Master Lighting Artist:
Dariusz Zbytniewski

Military Consultant:
Stanisław Witkiewicz

Music:
Piotr Komorowski

Music Arranger:
Piotr Komorowski

Music Consultant:
Anna Malarowska

Music Producer:
Jolanta Owczarczyk

Musician:
Wiesław Wysocki
Jan Harasimowicz
Michał Szturomski
Dorota Komorowska
Piotr Komorowski
Łukasz Hodor
Robert Dacko

Orchestrator:
Piotr Komorowski

Producer:
Heathcliff Janusz Iwanowski
Jolanta Owczarczyk

Production Manager:
Magdalena Rychła
Jolanta Owczarczyk

Props:
Marcin Gloeh
Ignacy Muzyka

Public Relations:
Klara Czerkawska-Heil
Agnieszka Żukowska

Pyrotechnician:
Krzysztof Buczek

Script:
Zuzanna Wiśniewska

Script Consultant:
Krzysztof Tokarek

Set Designer:
Magdalena Łukasik
Małgorzata Knapik

Sound:
Bart Putkiewicz
Natalia Sikorska
Mariusz Bielecki

Sound Editor:
Natalia Sikorska
Olga Zalewska
Marta Szczepańska
Katarzyna Kowalczyk
Bart Putkiewicz

Steadicam Operator:
Andrzej Łukasz
Adam Mendry
Marek Zajączkowski

Still Photographer:
Dariusz Felis-Obrycki

Stunt Coordinator:
Tomasz Lewandowski

Stunts:
Tomasz Lewandowski
Paweł Jabłoński
Sławomir Kurek
Mirosław Pisarek
Jakub Kazikowski

VFX Editor:
Marek Lechowicz

VFX Supervisor:
Vladimir Tarasiuk
Tomasz Ginelli

Visual Effects Producer:
Marta Bródka

Writer:
Rafał Woś
Heathcliff Janusz Iwanowski

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.