A work in constant progress (and occasional regress).
Original Title:
Greetings From The Absence
Production Companies:
Mondiblanc Film Workshop
Tsugoi Creative
Production Countries:
Indonesia
Ratings / Certifications:
N/A
While clipping newspapers for her assignment, Ara finds out the truth about her father that her mother had hidden during the New Order era.
Art Department Assistant:
Ferdiandra Putra
Cahya Lee
Assistant Camera:
Epiphania Evangelistha
BTS Footage:
Nicole Audrey
Bagust Rafiy
Boom Operator:
Laurensius Giovanni
Clapper Loader:
Nicole Audrey
Almatius Surya
Continuity:
Patrick Warmanda
Costume Coordinator:
Kinanthi Laras
Digital Imaging Technician:
Abdul Rozzaq Ariwahyono
Director:
Fahadpa Alfaj
Director of Photography:
Ben Saragih
Driver:
Prabandana Raditya
Executive Producer:
Nosa Normanda
Bagust Rafiy
First Assistant Director:
Paul Abadi
Gaffer:
Tyrone Rizmara
Graphic Designer:
Yudhistira Tegar Hermawan
Grip:
Nicole Audrey
Line Producer:
Bagust Rafiy
Makeup & Hair:
Kinanthi Laras
Producer:
Bagust Rafiy
Production Assistant:
Prabandana Raditya
Production Coordinator:
Betharia Nurhadist
Production Design:
Dessy Okt
Script Editor:
Dhanny Wijaya Setiawan
Script Researcher:
Andi Nadaa Nafiisa
Sound Recordist:
Air Abhipraya
Unit Production Manager:
Nofrinaldi Koto
Writer:
Almatius Surya
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.