A work in constant progress (and occasional regress).
Release Date:
November 7, 2023
Original Title:
Le Successeur
Alternate Titles:
Efterträdaren
El sucesor
Спадкоємець
继承人
Genres:
Drama | Thriller
Production Companies:
KG Productions
Metafilms
Stenola Productions
Production Countries:
Belgium | Canada | France
Ratings / Certifications:
BE: 12 ES: 16 KR: 15 LT: N-16 NL: 12
Runtime: 112
Happy and accomplished, Ellias becomes the new artistic director of a famous French Haute Couture house. When he learns that his father, whom he has not seen for many years, has just died of a heart attack, Ellias goes to Quebec to settle the estate. The young creator will discover that he has inherited much worse than his father's fragile heart.
ADR Supervisor:
Anais Letiexhe
Additional Third Assistant Director:
François Jaouën
Best Boy Electric:
Christophe Coic
Boom Operator:
Thomas Berliner
Dialogue Editor:
Etienne Carton
Director:
Xavier Legrand
Director of Photography:
Nathalie Durand
Editor:
Yorgos Lamprinos
Electrician:
Clément Apertet
Juliette Boudier
Jonathan Givers
First Assistant Camera:
Fanny Chausson
First Assistant Director:
Marie Doller
Foley Editor:
Benjamin Vandenbroucke
Gaffer:
Sophie Lelou
Grip:
Hugo Courdille
Key Grip:
Thibaud Cloarec
Music Supervisor:
Thibault Deboaisne
Novel:
Alexandre Postel
Original Music Composer:
SebastiAn
Producer:
Alexandre Gavras
Sylvain Corbeil
Anton Iffland Stettner
Eva Kuperman
Screenplay:
Xavier Legrand
Dominick Parenteau-Lebeuf
Script Supervisor:
Anne Fromm
Second Assistant Camera:
Guenael Pinson
Sound Editor:
Julien Roig
Sound Mixer:
Paul Heymans
Sound Re-Recording Mixer:
Thomas Gauder
Stunt Coordinator:
Sébastien Rouleau
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.