A work in constant progress (and occasional regress).
Release Date:
April 23, 2025
Original Title:
L'amour, c'est surcoté
Genres:
Comedy | Romance
Production Companies:
Iconoclast Films
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 97
Diagnosed «crap with girls» by his friends, Anis’ love life has barely a pulse. Three years after the loss of Isma, his best friend and mentor, Anis takes his courage in both hands and decides finally to get out and meet people again. And the person he meets is Madeleine. Thinking she’s way out of his league, Anis gets tangled in a web of silly lies trying to impress her. But something huge is about to start. An unexpected thing. A thing called love.
ADR Recordist:
Pauline Facon
Assistant Editor:
Louise Robert
Boom Operator:
Théo Arramon
Casting:
Sandra Durando
Costume Design:
Noémie Veissier
Dialogue Editor:
Valère Raigneau
Digital Imaging Technician:
Esteban Perrin
Director:
Mourad Winter
Director of Photography:
André Chemetoff
Editor:
Mickael Dumontier
First Assistant "B" Camera:
Haruyo Yokota
First Assistant Camera:
Jeremy Mauroy
Vincent Scotet
First Assistant Director:
Stéphane Gluck
Novel:
Mourad Winter
Original Music Composer:
Bachar Khalifé
Producer:
Elias Belkeddar
Production Design:
Arnaud Roth
Production Manager:
Eric Lenclud
Property Master:
Romain Scavazza
Screenplay:
Mourad Winter
Second Assistant Camera:
Louisa Bazin
Second Assistant Director:
Emmanuelle Fourault
Second Assistant Sound:
Louis Berthelot
Sound Editor:
Matthieu Gasnier
Sound Mixer:
Jérôme Aghion
Sound Re-Recording Mixer:
Loïc Canevet
Steadicam Operator:
Thomas Burgess
Stunts:
Ahmed Chouikhi
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.