A work in constant progress (and occasional regress).
Release Date:
September 1, 2000
Original Title:
Snatch
Alternate Titles:
Bol'shoy kush
Cerdos y Diamantes
Diamonds
Gepi
I Arpachtí
Snatch : Tu braques ou tu raques
Snatch – Porcos e Diamantes
Snatch'd
Snatch.
Snatch. Cerdos y diamantes
Snatch: Cerdos y Diamantes
Teemandirööv
Velykyy kush
Снеч: Свиње и дијаманти
Մեծ ավար
დიდი კუში
スナッチ:2000
스내치
Genres:
Comedy | Crime
Production Companies:
SKA Films
Production Countries:
United Kingdom
Ratings / Certifications:
AT: 16 AU: MA15+ BR: 16 CH: 16 CZ: 12+ DE: 16 DK: 15 ES: 18 FI: K-16 FR: 12|16 GB: 15 GR: 15 HU: 16 IE: 18 KR: 18 NL: 16 NO: 15 PL: 18 PT: M/16 RO: 18 RU: 16+ SE: 15 US: R
Runtime: 103
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Darren McQuade
ADR Voice Casting:
Vanessa Baker
Additional Music:
Bibs Ekkel
Armorer:
Charles Bodycomb
Art Department Production Assistant:
Sandra Fattorre
Art Direction:
Julie Philpott
Assistant Art Director:
Martin Foley
Assistant Chief Lighting Technician:
Richard Oxley
Assistant Editor:
Peter Dansie
Assistant Location Manager:
Giles Edleston
Assistant Production Coordinator:
Debbie Ninnis
Associate Producer:
Sebastian Pearson
Taha Ali Reza
Boom Operator:
Arthur Fenn
Cableman:
James Harris
Camera Trainee:
Elizabeth Hoar
Carpenter:
Robert Park
Casting:
Lucinda Syson
Casting Assistant:
Emma Engers
Chief Lighting Technician:
Andy Duncan
Clapper Loader:
Jake Marcuson
Co-Editor:
Les Healey
Co-Producer:
Michael Dreyer
Color Timer:
David Rees
Compositing Artist:
Paul Conway
Construction Coordinator:
Dennis Wilson
Costume Assistant:
Nicki Varney
Costume Design:
Verity Hawkes
Costume Supervisor:
Sharon Gilham
Dialect Coach:
Brendan Gunn
Dialogue Editor:
Danny Sheehan
Digital Colorist:
Jean-Clement Soret
Digital Effects Producer:
Kristin Emblem
Michael Elson
Director:
Guy Ritchie
Director of Photography:
Tim Maurice-Jones
Dressing Prop:
Peter Burden
Driver:
Fergus Cotter
Editor:
Jon Harris
Electrician:
Ray Bateman
Executive Producer:
Stephen Marks
Peter Morton
Angad Paul
Trudie Styler
Steve Tisch
First Assistant Director:
David Reid
First Assistant Editor:
Paul Swinburne
Focus Puller:
Stuart Graham
Foley Artist:
Jason Swanscott
Diane Greaves
Foley Editor:
Michael Redfern
Grip:
Terry Williams
Hairstylist:
Belinda Parish
Head of Production:
Michael Elson
Key Hair Stylist:
Pebbles
Location Manager:
Pat Karam
Makeup Artist:
Jean Ann Black
Music:
Noel Gallagher
Music Consultant:
Ian Neil
Music Editor:
Danny Sheehan
Original Music Composer:
John Murphy
Painter:
John Roberts
Producer:
Matthew Vaughn
Production Accountant:
Maurice Landsberger
Production Assistant:
Sarah Gellately-Smith
Production Coordinator:
Emma Pike
Production Design:
Hugo Luczyc-Wyhowski
Production Manager:
Adam Bohling
Property Master:
Tom Pleydell-Pearce
Prosthetics Sculptor:
Barrie Gower
Researcher:
Willi Geiger
Score Engineer:
Daniel L. Griffiths
Script Supervisor:
Mary Haddow
Second Assistant Director:
Daniel Toland
Second Unit Director:
Mick Ward
Security:
David Lindsay
Set Decoration:
Linda Wilson
Sound Designer:
Matthew Collinge
Sound Effects Editor:
Matthew Collinge
Sound Mixer:
Simon Hayes
Sound Re-Recording Mixer:
Mike Dowson
Mark Taylor
Special Effects Supervisor:
Ken Lailey
Special Effects Technician:
Casper Lailey
Stand In:
Bill Hickey
Standby Painter:
Tom Roberts
Steadicam Operator:
Peter Wignall
Still Photographer:
Sebastian Pearson
Storyboard Artist:
Peter Wignall
Stunt Coordinator:
Tom Delmar
Stunt Double:
Charles Jarman
Supervising Carpenter:
Philip Smith
Supervising Sound Editor:
Danny Sheehan
Third Assistant Director:
Mick Ward
Title Designer:
Ian Cross
Transportation Captain:
Simon Barker
Unit Publicist:
Nevette Previd
Writer:
Guy Ritchie
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.