Snatch (2000) [R]

Release Date:
September 1, 2000

Original Title:
Snatch

Alternate Titles:
Bol'shoy kush
Cerdos y Diamantes
Diamonds
Gepi
I Arpachtí
Snatch : Tu braques ou tu raques
Snatch – Porcos e Diamantes
Snatch'd
Snatch.
Snatch. Cerdos y diamantes
Snatch: Cerdos y Diamantes
Teemandirööv
Velykyy kush
Снеч: Свиње и дијаманти
Մեծ ավար
დიდი კუში
スナッチ:2000
스내치

Genres:
Comedy | Crime

Production Companies:
SKA Films

Production Countries:
United Kingdom

Ratings / Certifications:
AT: 16  AU: MA15+  BR: 16  CH: 16  CZ: 12+  DE: 16  DK: 15  ES: 18  FI: K-16  FR: 12|16  GB: 15  GR: 15  HU: 16  IE: 18  KR: 18  NL: 16  NO: 15  PL: 18  PT: M/16  RO: 18  RU: 16+  SE: 15  US: R 

Runtime: 103

Stealin' stones and breakin' bones.

Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Mixer:
Darren McQuade

ADR Voice Casting:
Vanessa Baker

Additional Music:
Bibs Ekkel

Armorer:
Charles Bodycomb

Art Department Production Assistant:
Sandra Fattorre

Art Direction:
Julie Philpott

Assistant Art Director:
Martin Foley

Assistant Chief Lighting Technician:
Richard Oxley

Assistant Editor:
Peter Dansie

Assistant Location Manager:
Giles Edleston

Assistant Production Coordinator:
Debbie Ninnis

Associate Producer:
Sebastian Pearson
Taha Ali Reza

Boom Operator:
Arthur Fenn

Cableman:
James Harris

Camera Trainee:
Elizabeth Hoar

Carpenter:
Robert Park

Casting:
Lucinda Syson

Casting Assistant:
Emma Engers

Chief Lighting Technician:
Andy Duncan

Clapper Loader:
Jake Marcuson

Co-Editor:
Les Healey

Co-Producer:
Michael Dreyer

Color Timer:
David Rees

Compositing Artist:
Paul Conway

Construction Coordinator:
Dennis Wilson

Costume Assistant:
Nicki Varney

Costume Design:
Verity Hawkes

Costume Supervisor:
Sharon Gilham

Dialect Coach:
Brendan Gunn

Dialogue Editor:
Danny Sheehan

Digital Colorist:
Jean-Clement Soret

Digital Effects Producer:
Kristin Emblem
Michael Elson

Director:
Guy Ritchie

Director of Photography:
Tim Maurice-Jones

Dressing Prop:
Peter Burden

Driver:
Fergus Cotter

Editor:
Jon Harris

Electrician:
Ray Bateman

Executive Producer:
Stephen Marks
Peter Morton
Angad Paul
Trudie Styler
Steve Tisch

First Assistant Director:
David Reid

First Assistant Editor:
Paul Swinburne

Focus Puller:
Stuart Graham

Foley Artist:
Jason Swanscott
Diane Greaves

Foley Editor:
Michael Redfern

Grip:
Terry Williams

Hairstylist:
Belinda Parish

Head of Production:
Michael Elson

Key Hair Stylist:
Pebbles

Location Manager:
Pat Karam

Makeup Artist:
Jean Ann Black

Music:
Noel Gallagher

Music Consultant:
Ian Neil

Music Editor:
Danny Sheehan

Original Music Composer:
John Murphy

Painter:
John Roberts

Producer:
Matthew Vaughn

Production Accountant:
Maurice Landsberger

Production Assistant:
Sarah Gellately-Smith

Production Coordinator:
Emma Pike

Production Design:
Hugo Luczyc-Wyhowski

Production Manager:
Adam Bohling

Property Master:
Tom Pleydell-Pearce

Prosthetics Sculptor:
Barrie Gower

Researcher:
Willi Geiger

Score Engineer:
Daniel L. Griffiths

Script Supervisor:
Mary Haddow

Second Assistant Director:
Daniel Toland

Second Unit Director:
Mick Ward

Security:
David Lindsay

Set Decoration:
Linda Wilson

Sound Designer:
Matthew Collinge

Sound Effects Editor:
Matthew Collinge

Sound Mixer:
Simon Hayes

Sound Re-Recording Mixer:
Mike Dowson
Mark Taylor

Special Effects Supervisor:
Ken Lailey

Special Effects Technician:
Casper Lailey

Stand In:
Bill Hickey

Standby Painter:
Tom Roberts

Steadicam Operator:
Peter Wignall

Still Photographer:
Sebastian Pearson

Storyboard Artist:
Peter Wignall

Stunt Coordinator:
Tom Delmar

Stunt Double:
Charles Jarman

Supervising Carpenter:
Philip Smith

Supervising Sound Editor:
Danny Sheehan

Third Assistant Director:
Mick Ward

Title Designer:
Ian Cross

Transportation Captain:
Simon Barker

Unit Publicist:
Nevette Previd

Writer:
Guy Ritchie

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.