A work in constant progress (and occasional regress).
Release Date:
January 12, 2024
Original Title:
إن شاء الله ولد
Alternate Titles:
Inshallah Walad
Inshallah, um Menino
Genres:
Drama
Production Companies:
Bayt Al Shawareb
CNC Aide aux cinémas du monde - Institut Français
Cairo Film Connection
DFI
Georges Films
Red Sea Fund
Rise Studios
The Imaginarium Films
The Jordan Film Fund
Production Countries:
Egypt | France | Jordan | Qatar | Saudi Arabia
Ratings / Certifications:
NL: 12 US: NR
Runtime: 113
After the sudden death of her husband, working mother Nawal has to fight for her inheritance in order to save her daughter and home in a society where having a son would be a game changer.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Costume Designer:
Sima Qunsol
Associate Producer:
Maher Diab
Alaa Karkouti
Shahinaz Elakkad
Boom Operator:
Tarek Abu Ghoush
Co-Producer:
Raphaël Alexandre
Nicolas Leprêtre
Costume Assistant:
Mahmoud Rayyan
Costume Design:
Zeina Soufan
Director:
Amjad Al Rasheed
Director of Photography:
Kanamé Onoyama
Editor:
Ahmed Hafez
First Assistant Director:
Azza Hourani
Focus Puller:
Mais Gammoh
Key Grip:
Mohammad Ali Balaawi
Key Makeup Artist:
Nour Aldeen Mekbel
Makeup & Hair:
Mohammad Rasheed
Music:
Andrew Lancaster
Jerry Lane
Original Story:
Amjad Al Rasheed
Producer:
Yousef Abd Alnabi
Rula Nasser
Aseel Abu Ayyash
Property Master:
Hameed Pahang
Second Assistant Camera:
Hussein Qadan
Second Assistant Director:
Leen Hamarneh
Set Production Assistant:
Mahdi Abu-Salma
Yousef Raed
Elias Shaheen
Hisham Masa'deh
Sound:
Lee Herrick
Sound Recordist:
Nour Halawani
Third Assistant Director:
Majd Baghdadi
Writer:
Delphine Agut
Rula Nasser
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.