A work in constant progress (and occasional regress).
Release Date:
March 16, 2023
Original Title:
Awareness
Alternate Titles:
Осознание
מודעות
آگاهی
سازمان آگاهی
Genres:
Action | Mystery | Science Fiction | Thriller
Production Companies:
Federation Spain
Production Countries:
Spain
Ratings / Certifications:
DE: 16 ES: 16 GB: 15 IL: 16 NL: 16 RO: 18 SG: NC16
Runtime: 112
Ian is a teenager who lives with his father on the outskirts by running small scams using Ian's ability to generate visual illusions upon unsuspecting victims. When one of his cons goes awry, his abilities publicly spiral out of control and Ian becomes the target of two rival organizations, each seeking to exploit his powers.
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"A" Camera Operator:
Alberto Borque
"B" Camera Operator:
David Sevilla
Additional First Assistant Camera:
Meritxell Sánchez
Additional Third Assistant Director:
Elia de la Llave
Assistant Art Director:
Héctor Ayuso
Assistant Costume Designer:
Fernando García Brea
Assistant Editor:
Adrián Bernal
Assistant Location Manager:
Ramón Rebollo Horrillo
Assistant Makeup Artist:
Alba Cobos
Assistant Set Decoration:
Rebeca Durán Muñoz
Assistant Sound Editor:
Alba Montañés
Best Boy Electric:
Guillermo de la Dehesa
Boom Operator:
Javier Pérez García
Casting Assistant:
Paula Roy
Casting Director:
Natalia Rodríguez
Compositing Supervisor:
Francisco José Borreguero Valverde
David Gomez Calvo
Concept Artist:
Joseph Díaz
Paco Corachán
Continuity:
Núria Casanueva
Costume Assistant:
Andrea Escudero
Costume Coordinator:
Trajano Cortijo
Costume Design:
Cristina Sopeña
Costume Supervisor:
Eva Fervenza
Data Wrangler:
Dolores Sáiz
Digital Compositor:
Antonio Gutiérrez Pareja
Alejandro Gómez Maudes
Carlos Navarro Belenguer
David Orlando Fernández
Director:
Daniel Benmayor
Director of Photography:
Juan Miguel Azpiroz
Drone Operator:
Raül Aguilera
Drone Pilot:
Arnau Espejo
Electrician:
Pablo Garrido Carreras
Sergio Mantecón
Executive Producer:
Mark Albela
Fight Choreographer:
Carlos Cortés Ciudad
First Assistant Director:
Francisco Barrionuevo
First Assistant Editor:
Anna J. Valenciano
First Assistant Sound Editor:
Daniel González Serrano
Foley Artist:
Miguel Barbosa
Xes Diéguez
Foley Mixer:
Kevin Carvalho
Gaffer:
Joaquín 'Kino' Sánchez
Graphic Designer:
Berta Llargués
Head of Production:
Robert Bernacchi
Key Makeup Artist:
Estefania Montero
Location Manager:
Mario Santa Cruz
Location Scout:
Jaume Miró
Makeup Artist:
Aida Carballo
Noelia Peso
Makeup Designer:
Isabel Auernheimer
Music Supervisor:
Lourdes Hernández
Original Music Composer:
Roque Baños
Post Production Supervisor:
Gabriel Pérez
Alberto Merino
Producer:
Juan Solá
Daniel Benmayor
Production Design:
Balter Gallart
Production Manager:
Javier Torreiro
Second Assistant "A" Camera:
Olaya Marcos
Second Assistant "B" Camera:
Marta Mulas
Set Decoration:
María Sánchez Moreno
Set Decoration Buyer:
María de la Peña
Set Designer:
Héctor Ayuso
Sound Designer:
Gabriel Gutiérrez
Sound Effects Editor:
Miriam Lisón
Sound Re-Recording Mixer:
Gabriel Gutiérrez
Special Effects Supervisor:
Jon Serrano Serván
Standby Property Master:
Kemen
Silvia Crivillers
Steadicam Operator:
David Sevilla
Still Photographer:
Maria Heras
Stunt Coordinator:
Kaloian Vodenicharov
Ricardo Rocca
Stunt Double:
Martina Valero
Stunt Driver:
Brandy Rodríguez
Pavel Shalamanov
Supervising Sound Editor:
Gabriel Gutiérrez
Third Assistant Director:
Alícia Díaz
Edu Campos Martín
Unit Manager:
Juanjo Seda
Unit Production Manager:
Nath Rodriguez
Video Assist Operator:
Vilma Bravo
Visual Effects Coordinator:
Borja Laguna
Visual Effects Producer:
Rosana Escribano
Meritxell Alarcón
Visual Effects Supervisor:
Ivo Dukcevic
Ignacio Lacosta
Writer:
Daniel Benmayor
Iván Ledesma
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.