A work in constant progress (and occasional regress).
Release Date:
March 7, 2003
Original Title:
Bringing Down the House
Alternate Titles:
A Casa Caiu
Bronx A Bel Air
Neserte nám pestúnku
Remue-ménage
Több a sokknál
Una intrusa en la familia
Genres:
Comedy | Drama
Production Companies:
Hyde Park Entertainment
Touchstone Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 6 AU: M CH: 6 CZ: U DE: 6 GB: 12 GR: 13 HU: 16 IE: 15 JP: G PL: 16 SK: 12 US: PG-13
Runtime: 105
Uptight lawyer Peter Sanderson wants to dive back into dating after his divorce and has a hard time meeting the right women. He tries online dating and lucks out when he starts chatting with a fellow lawyer. The two agree to meet in the flesh, but the woman he meets — an escaped African-American convict named Charlene — is not what he expected. Peter is freaked out, but Charlene tries to convince him to take her case and prove her innocence. Along the way, she wreaks havoc on his middle-class life as he gets a lesson in learning to lighten up.
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"A" Camera Operator:
David E. Diano
"B" Camera Operator:
Andy Shuttleworth
David Chameides
ADR Mixer:
Eric Thompson
ADR Recordist:
Chris Navarro
ADR Supervisor:
Cliff Latimer
ADR Voice Casting:
Terri Douglas
Actor's Assistant:
Ilene Waterstone
Tracy Mallozzi
Aerial Camera:
Douglas S. Holgate
Aerial Camera Technician:
Michael Hildebranch
Animal Wrangler:
Stacy Basil
Art Department Coordinator:
Mitch Sutton
Art Direction:
James Nedza
Assistant Hairstylist:
Mary Guerrero
Assistant Location Manager:
Kei Rowan-Young
Briana Burke
John Shaughnessy
Assistant Makeup Artist:
Amy Schmiederer
Assistant Production Coordinator:
Erin Engman
Assistant Property Master:
David Saltzman
Assistant Sound Editor:
Shawn Ian Kerkhoff
Associate Producer:
Cookie Carosella
Best Boy Electric:
Lonnie S. Gatlin
Boom Operator:
Harrison D. Marsh
Casting:
Victoria Thomas
Casting Assistant:
Nicole Abellera Hallman
Casting Associate:
Kim Taylor-Coleman
Choreographer:
Anne Fletcher
Co-Producer:
Todd Lieberman
Color Timer:
David Orr
Construction Coordinator:
Dennis DeWaay
Construction Foreman:
Steven E. Fegley
William Livingston
Costume Design:
Pamela Withers
Costume Supervisor:
Virginia Burton
Costumer:
Jennifer Dozier
Tom Macdonald
Eric J. Van Wagoner
Craft Service:
John K. Wright
John C.V. Wright
John Zinskey
Dialogue Editor:
James Matheny
Julie Feiner
Director:
Adam Shankman
Director of Photography:
Julio Macat
Johnny E. Jensen
Dolly Grip:
Melvin 'Butch' Von Bulow
Audie Aragon
Editor:
Gerald B. Greenberg
Electrician:
Wayne Marshall
Gary Mayer
Ralph Stiers
Adam Glick
Glen Magers
James E. Krattiger
Kenny Schneider
Don Nesmith
John Fine
Executive Producer:
Jane Bartelme
Queen Latifah
Executive Producer's Assistant:
LaWanda Black
Teena Deocales
First Assistant "A" Camera:
Rob Morey
First Assistant "B" Camera:
Trey Clinesmith
David Richert
First Assistant Accountant:
Gary Levy
First Assistant Camera:
Andrew Parke
First Assistant Director:
Daniel Silverberg
First Assistant Editor:
Danny Miller
Foley Artist:
Sean Rowe
Laura Macias
Foley Mixer:
Shawn Kennelly
Gaffer:
Walter Nichols
Bob E. Krattiger
Grip:
Bill Slemmons
Christopher Reynolds
Eugene B. Kerry
Rod Farley
Steve Graves
Hairstylist:
Maggie Hayes
Julie Taylor
Key Grip:
Michael Anderson
Key Hair Stylist:
Lynda Gurasich
Key Makeup Artist:
Felicity Bowring
Key Rigging Grip:
Mike Strong
Leadman:
Nancy Gilmore
Location Manager:
Molly Allen
Makeup Artist:
Frank Griffin
Music Coordinator:
Seth Rappaport
John E. Rhone
Music Editor:
Darrell Hall
Music Programmer:
Ruy Folguera
Geoff Levin
Music Supervisor:
Michael McQuarn
On Set Dresser:
John McElroy
Orchestrator:
Ira Hearshen
Original Music Composer:
Lalo Schifrin
Payroll Accountant:
Marlene Marks
Pilot:
Peter McKernan Jr.
Peter McKernan Sr.
Post Production Accountant:
Scott Sellers
Producer:
Ashok Amritraj
David Hoberman
Producer's Assistant:
Kim Meade
Justin Nelson
Andrea Milford
Production Accountant:
Ellen Adolph
Production Assistant:
Matthew Boeka
Ryan Chavez
Steve Curtiss
Tony Fonseca
Joe Morganella
Dana Wagner
Julie Asbury
Iain Robertson
Jennifer Weiland
Aaron Roberts
Solo Douglas
Aaron Wolf
Production Coordinator:
Marc A. Hammer
Lois Walker
Production Design:
Linda DeScenna
Production Secretary:
Naomi Yospe
Jenny Fumarolo
Property Master:
Ellen Freund
Props:
Earl Thielen
Rigging Gaffer:
Tim Marshall
Rigging Grip:
James Alden
Jason Selsor
William T. Jones
Scoring Mixer:
Gustavo Borner
Screenplay:
Jason Filardi
Script Supervisor:
Kerry Lyn McKissick
Sharron Reynolds-Enriquez
Second Assistant "A" Camera:
Craig Kohlhoff
Second Assistant "B" Camera:
Renee Treyball
Second Assistant Accountant:
Angie Ryan
Second Assistant Camera:
Jason Jensen
Second Assistant Director:
Conte Mark Matal
Second Company Grip:
Malcolm Doran II
Second Second Assistant Director:
John Pontrelli
Bradley Morris
Second Unit Director:
John Medlen
Second Unit Director of Photography:
Johnny E. Jensen
Second Unit First Assistant Director:
Lisa Bloch-Tobey
Set Costumer:
Angela Amaro
Jill Korengold
Set Decoration:
Ric McElvin
Set Designer:
Rich Romig
Nancy Deren
Set Medic:
Jean Quay
Jamale Case
Sound Editor:
Donald Flick
Mary Ruth Smith
Sound Mixer:
David MacMillan
Sound Re-Recording Mixer:
Chris David
Terry Rodman
Special Effects Supervisor:
James Fredburg
Special Effects Technician:
F. Van Way
James Lorimer
Standby Painter:
Richard Girod Jr.
Steadicam Operator:
Andy Shuttleworth
David Chameides
Still Photographer:
Sam Emerson
Studio Teacher:
John Chisholm
Stunt Coordinator:
John Medlen
Stunts:
Elle Alexander
Robert Jauregui
Jwaundace Candece
David M. Morizot
Tom Harper
David Hugghins
C.C. Taylor
Erik Betts
Ron McCord
William Washington
Barbara Bernhardt
Mary Fallick
Ben Jensen
Chris Daniels
Michael Roberts
Jennifer Van Shay
Larnell Stovall
Steve Baruch
Von L. Roddy
Supervising Sound Editor:
David A. Whittaker
Swing:
Randy Severino
Mark Boucher
Mark Tuttle
Transportation Captain:
Ronald Stinton
Mike Buenfil
Transportation Coordinator:
Griff Ruggles
Unit Production Manager:
Daryl Kass
Unit Publicist:
Shelley Kirkwood
Utility Sound:
Kevin E. Patterson
Video Assist Operator:
Paul Murphey
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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