A work in constant progress (and occasional regress).
Release Date:
December 6, 2022
Original Title:
Protect Your Home (Interpret It Well)
Genres:
Documentary
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 14
Protect Your Home (Interpret It Well) opens with another storm system surging behind a rainbow over idyllic grassland, as the ominous vibraphone tingles of Ches Smith’s “Interpret It Well” start up. A medley of images smatter across the screen: YouTube storm chasers, HGTV bulletproof door shills, a cacophony of home protection start-ups, sage, panic rooms, bunker aquaponics. A test house in a warehouse is systematically destroyed by a lab-grown hurricane. The litany quickly grows absurd, and one thinks of others that profit off of fear and anxiety: the wellness industry, arms manufacturers, the prison-industrial complex. When you carry a hammer, everything looks like a nail. [Overview Courtesy of Screen Slate]
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.