A work in constant progress (and occasional regress).
Release Date:
October 14, 2024
Original Title:
Anora
Alternate Titles:
Անորա
آنورا
อโนรา
阿諾拉
Genres:
Comedy | Drama | Romance
Production Companies:
Cre Film
FilmNation Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AR: +16 AU: MA 15+ BR: 16 CL: 18 CZ: 15+ DE: 16 GB: 18 HK: III HU: 18 IE: 16 KR: 19 MX: C NL: 16 PH: R-18 PR: R RO: 18 RU: 18+ SE: 11 SG: R21 TH: 20 TR: 18+ US: R ZA: 18
Runtime: 139
A young sex worker from Brooklyn gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch. Once the news reaches Russia, her fairytale is threatened as his parents set out to get the marriage annulled.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Mika Altskan
ADR Recordist:
Zoe Estes
Additional Casting:
Samantha Quan
Additional Grip:
Gabriel Eduardo Solorzano
Additional Lighting Technician:
Caiya Sanchez-Strauss
Additional Second Assistant Camera:
Katie Mlinek
Art Direction:
Ryan Scott Fitzgerald
Assistant Costume Designer:
Jonie Bertin
Murrie Rosenfeld
Assistant Editor:
Matthew Miller
Assistant Location Manager:
Ben Wiseman
Assistant Production Coordinator:
Adriana Alpizar
Assistant Property Master:
Eman Akram Nader
Best Boy Electric:
April Goldberg
Best Boy Grip:
Gabriel W. Armstrong
Boom Operator:
Brian Kuciak
Nikita Zarkh
Casting:
Sean Baker
Casting Associate:
Emily Fleischer
Chief Lighting Technician:
Chris Hill
Co-Producer:
Elizabeth Siegal
Construction Coordinator:
Colin Phelan
Costume Design:
Jocelyn Pierce
Dialogue Editor:
Jesse Pomeroy
Nick Pavey
Director:
Sean Baker
Director of Photography:
Drew Daniels
Dolly Grip:
Connor Bewighouse
Editor:
Sean Baker
Electrician:
Reece Clemmons
Aaron Herschlag
Autumn Stevens
Executive Producer:
Ken Meyer
Milan Popelka
Clay Pecorin
Glen Basner
Alison Cohen
First Assistant Camera:
Kyle Petitjean
Jesse Vielleux
First Assistant Director:
Liza Mann
Foley Artist:
Oliver Snook
Guy Francoeur
Foley Mixer:
Jo Caron
Grip:
Rachel Parrella
Hair Department Head:
Justine Sierakowski
Helicopter Camera:
Michael Belardi
Key Construction Grip:
Tyler Fiore
Key Grip:
Harrison Rusk
Steve Forbes
Leadman:
Leo Pernia
Maddie Pflug
Line Producer:
Olivia Kavanaugh
Location Manager:
Ross Brodar
Makeup Department Head:
Annie Johnson
Music Supervisor:
Matthew Hearon-Smith
Picture Car Coordinator:
Russell Chave
Post Production Supervisor:
Alex Coco
Producer:
Alex Coco
Sean Baker
Samantha Quan
Production Accountant:
Patricia Beaury
Production Coordinator:
Erin Coco
Production Design:
Stephen Phelps
Production Secretary:
Jared Greenberg
Production Sound Mixer:
Boris Krichevsky
Production Supervisor:
Rhyan Elliott
Property Master:
Kendra Eaves
Script Supervisor:
Albert Rudnitsky
Second Assistant Camera:
Jorge A. Gomez
Stephanie Guzman
Second Assistant Director:
Sofía Blanco
Second Second Assistant Director:
Stephen Coleman
Set Decoration:
Christopher Phelps
Set Dresser:
Raph Fineberg
Songs:
Joseph Capalbo
Lyusi Simon
Sound Designer:
John Warrin
Sound Effects Editor:
Adam Kopald
D. Chris Smith
Sound Mixer:
Alex Altman
Sound Re-Recording Mixer:
John Warrin
Andy Hay
Special Effects Coordinator:
Brian Schuley
Steadicam Operator:
Sawyer Oubre
Still Photographer:
Augusta Quirk
Stunt Coordinator:
Manny Siverio
Christopher Colombo
Roberto Lopez
Stunts:
Acei Martin
Michael Viola
Adam Wood
Supervising Sound Editor:
John Warrin
Andy Hay
Thanks:
Ti West
Peter Vack
Simon Rex
Adam Kersh
Emily Weider
Fred Berman
Bree Elrod
Unit Production Manager:
Olivia Kavanaugh
VFX Artist:
Róbert Pálos
Alnazer Mohamad Fawzi
Péter Csintalan
Béla Klingl
Árpád Koós
Zsanett Szántó
András Zalavári
Visual Effects:
Kyle Zemborain
Visual Effects Production Manager:
Tibor Sólyom
Visual Effects Supervisor:
Béla Klingl
Árpád Koós
Writer:
Sean Baker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.