A work in constant progress (and occasional regress).
Release Date:
January 1, 2017
Original Title:
Locked In
Genres:
Drama
Production Companies:
Sylph Productions
Tate Post
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 15
Samira and Nazim, asylum seekers who fled after torture find themselves in the UK again detained by the state. They are on the fast track system, soon to be deported. With the clock ticking, the memories of their torture and what awaits on their return torment them. Will they be able to gain asylum in time? What will the cost be to their relationship?
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Art Direction:
Marcel Beranek
Assistant Art Director:
Kieran McCruden
Associate Producer:
Bianca Herold
Co-Director:
Nadira Murray
Co-Producer:
Chris Robb
Colorist:
Pat Wintersgill
Costume Assistant:
Alexandra David-Corbo
Costume Designer:
Emily Bates
Director:
Pavel Shepan
Director of Photography:
Steve Cardno
Editor:
Rebecca Lloyd
Executive Producer:
Bernie Stampfer
First Assistant Camera:
Sefa Ucbas
First Assistant Director:
Rory Stewart
Gaffer:
Nelisa Alcalde
Makeup Artist:
Pamela Duffin
Music:
Vanesa Lorena Tate
Music Editor:
Vanesa Lorena Tate
Online Editor:
Pat Wintersgill
Producer:
Nadira Murray
Production Assistant:
Kayleigh Boyd
Aiysha Jebali
Production Coordinator:
Elena Lerones
Public Relations:
Aiysha Jebali
Runner Art Department:
Craig Andrew Robertson
Second Assistant Camera:
Struan Robertson
Second Assistant Director:
Bianca Herold
Set Designer:
Marcel Beranek
Sound Designer:
Vanesa Lorena Tate
Sound Editor:
Gabriele Griciute
Sound Re-Recording Mixer:
Vanesa Lorena Tate
Sound Recordist:
Peter Elliott
Neale Ross
Sound Supervisor:
Dominique Devoucoux
Still Photographer:
Sandra Franco
Stunt Coordinator:
Gary Taylor
Third Assistant Director:
Malcolm Rumbles
VFX Artist:
Berta Valverde
Pat Wintersgill
Visual Effects:
Dan Pryor
Writer:
Nadira Murray
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.