A work in constant progress (and occasional regress).
Release Date:
June 2, 2023
Original Title:
Ya eres una mujer
Alternate Titles:
Ja ets una dona
a little woman
Genres:
Drama
Production Companies:
Dosmentes Films
Shoji Films
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 12
A bloodstain on a sheet triggers a great transformation in Tina, an eleven-year-old girl. As she spreads out the laundry with her mother, she will have to silently face all those unknown feelings she thought would never come.
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Art Direction:
Anna Moriana
Assistant Art Director:
Laura Gámez
Assistant Camera:
Alejandra Colls
Assistant Director:
Arnau Garcia
Best Boy Electric:
Álex Moya
Catering:
Conchi Cortés
Color Grading:
Marc Insa
Consulting Editor:
Eduard N. Moncusí
Costume Design:
Nicoll Rodríguez
Digital Imaging Technician:
Angélica Olaya
Director:
Estefania Ortiz
Director of Photography:
Víctor Blanes
Editor:
Estefania Ortiz
Dani Trigueros
Electrician:
Óscar Guillamon
Oscar Dominguez Santana
Adrian Trias
Executive Producer:
Estefania Ortiz
Víctor Blanes
Rubén Seca
Carles Isern
Patricia Gómez
Focus Puller:
Francesc Itchart
Gaffer:
Cristina Aubach
Makeup Artist:
Raquel Fernández
Producer:
Fiona Redondo
Production Assistant:
José Blanch
Marcelo Villar
Production Sound Mixer:
Mar Almansa
Script:
Albert Cristóbal
Script Consultant:
Luisina Clementi
Sound Assistant:
Blai Domènech
Sound Designer:
Martí V. Baladoch
Sound Re-Recording Mixer:
Martí V. Baladoch
Still Photographer:
Oriol López
Sira Seral
Thanks:
Pep Garrido
Mouly Molist
Endika Rey
Xavi Puebla
Júlia López
Tino Arroyo
Conchi Cortés
Celi Morand
Família d'Estefania Ortiz
Família de Celi Morand
Veïnat de la comunitat
Eduard N. Moncusí
Adrià Campdepadrós
Amics d'Estefania Ortiz
ECIB
Visual Effects:
Javier Gutiérrez
Writer:
Estefania Ortiz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.