A work in constant progress (and occasional regress).
Release Date:
October 13, 2022
Original Title:
What the Funk?!
Alternate Titles:
What the Funk: A Love Letter to the POC Community
Ratings / Certifications:
N/A
Runtime: 99
Follow producer and founder Kia Puckett, aka Mx. Pucks A'Plenty (the Femme Daddy your Mother didn't know to warn you about), in this labor of love as they explore what it means to rewrite the rules of burlesque to build a supportive community of performers for personal and professional development. See excerpts of live festival performances as well as intimate behind the scenes footage. Hear performers speak about the inspiration that drives their performances as well as lingering challenges to inclusivity and accessibility. Explore what it means to question cultural norms, utilize the body as an artistic medium, and live life on one's own terms.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.