A work in constant progress (and occasional regress).
Release Date:
June 1, 2023
Original Title:
And the King Said, What a Fantastic Machine
Alternate Titles:
Fantastic Machine
What a Fantastic Machine !
Genres:
Documentary
Production Companies:
Bullitt Film
Film i Väst
Plattform Produktion
SVT
Production Countries:
Denmark | Sweden
Ratings / Certifications:
AU: M CA: 18A CZ: U DK: 11 GB: 15 IE: 15A NL: 12 NO: 9 NZ: M SE: 11
Runtime: 88
From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.
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Additional Photography:
Maximilien Van Aertryck
Axel Danielson
Associate Producer:
Rikke Tambo Andersen
Co-Producer:
Vibeke Vogel
Colorist:
Peter Toggeth Karlsson
Creative Consultant:
Kalle Boman
Director:
Axel Danielson
Maximilien Van Aertryck
Director of Photography:
Axel Danielson
Maximilien Van Aertryck
Editor:
Mikel Cee Karlsson
Maximilien Van Aertryck
Axel Danielson
Executive Producer:
Ruben Östlund
Erik Hemmendorff
Graphic Designer:
Lukas Möllersten
Music Supervisor:
Li Stanley
Rasmus Thord
Post Production Coordinator:
Ludwig Källén
Producer:
Maximilien Van Aertryck
Axel Danielson
Sound Designer:
Anne Gry Kristiansen
Sound Mixer:
Anne Gry Friis Kristensen
Sound Re-Recording Mixer:
Anne Gry Kristiansen
Sound Technical Supervisor:
Jesper Miller
Fabrice Allain
VFX Artist:
Peter Toggeth Karlsson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.