A work in constant progress (and occasional regress).
Release Date:
October 20, 2023
Original Title:
The Persian Version
Genres:
Comedy | Drama | Romance
Production Companies:
A Bigger Boat
AgX
Archer Gray
City Boy Hands
Marakesh Films
Stage 6 Films
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 ES: 16 FR: TP GB: 15 SG: M18 US: R
Runtime: 108
When a large Iranian-American family gathers in New York City for the patriarch’s heart transplant, a family secret is uncovered and catapults the estranged mother and daughter into an exploration of the past.
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Art Department Coordinator:
Nazenin Pahiz Elci
Art Direction:
Süleyman Iyisu
Assistant Art Director:
Burak Koç
Assistant Grip:
Ömer Katmis
Emre Yıldırım
Assistant Location Manager:
Ercan Erden
Emirhan Aksu
Assistant Makeup Artist:
Elif Sati
Best Boy Electric:
Erkol Cevahiroglu
Best Boy Grip:
Abdullah Akilmak
Boom Operator:
Burakhan Can
Carpenter:
Hakan Düzcay
Vedat Nam
Veysel Emik
Yener Ünlüeloglu
Erol Tuna
Oguz Tuna
Casting:
Lindsey Weissmueller
Choreographer:
Mertcan Agirtas
Co-Producer:
Diloy Gülün
Costume Assistant:
Nalan Gencel
Costume Design:
Burcu Yamak
Costume Supervisor:
Ismail Bal
Costumer:
Gizem Pelit
Digital Imaging Technician:
Dogukan Deliduman
Director:
Maryam Keshavarz
Director of Photography:
André Jäger
Dolly Grip:
Erkan Bulbul
Draughtsman:
Maryam Khosravi
Drone Cinematographer:
Mehmet Öztekin
Drone Pilot:
Seyit Ömer Gülas
Editor:
JoAnne Yarrow
Abolfazl Talooni
Executive Producer:
Amy Nauiokas
Alvaro R. Valente
Sacha Ben Harroche
Nyla Hazratjee
Natalie Qasabian
First Assistant Accountant:
Buse Ceren Göztepe
First Assistant Camera:
Cengizhan Cebeci
First Assistant Director:
Ogulcan Koyler
First Assistant Hairstylist:
Dursun Altuner
Gaffer:
Atilla Erdem Ermes
Graphic Designer:
Ayse Emine Kurt
Hair Department Head:
Ergun Gezer
Key Costumer:
Mesme Ilkcan Sayin
Key Grip:
Adnan Aydın
Key Production Assistant:
Hasan Kurt
Lighting Production Assistant:
Mert Güzel
Emre Kurt
Ibrahim Sarma
Cavit Cankiliç
Emirhan Yildiz
Muzaffer Anil Bakca
Line Producer:
Sena Tonguç
Summer Shelton
Location Manager:
Hakan Aksu
Makeup & Hair:
Behiye Derin
Sinan Harnuboglu
Makeup Department Head:
Necla Teski
Music Supervisor:
Linda Cohen
Original Music Composer:
Rostam Batmanglij
Painter:
Hicabi Baloglu
Payroll Accountant:
Zeynep Solpan
Post Production Accountant:
Abby Bailey
Producer:
Maryam Keshavarz
Anne Carey
Luca Borghese
Peter Block
Ben Howe
Cory Neal
Producer's Assistant:
Yigit Alihan Oncul
Lindy LeChien
Production Accountant:
Salih Uslu
Production Assistant:
Yigit Alihan Oncul
Beraat Erdogan
Zeynep Hançer
Bilal Yildirim
Production Design:
Fırat Yünlüel
Production Intern:
Tina Melakisanimaleki
Production Office Coordinator:
Fulya Deniz Pirlant
Production Runner:
Meliksah Aksu
Mete Caner Arican
Bugra Tanis
Production Sound Mixer:
Javier Farina
Property Buyer:
Çağdaş Yüksel
Script Editor:
Jonathan Mastro
Script Supervisor:
Hamit Annak
Second Assistant Camera:
Osman Yilmaz
Second Assistant Director:
Tugçe Sari
Second Second Assistant Director:
Onur Ilkan Atalay
Set Decoration:
Yeliz Eroğlu
Set Production Intern:
Eslem Sulun
Special Effects Makeup Artist:
Derya Ergün
Still Photographer:
Yigit Eken
Stunt Coordinator:
Deniz Yilmaz
Tailor:
Sinan Timur
Third Assistant Camera:
Mert Bozkurt
Transportation Captain:
Veli Can Çaliskan
Travel Coordinator:
Fatma Okumus
Unit Production Manager:
Ekrem Tekdal
Utility Sound:
Idris Hilmi Karahan
Video Assist Operator:
Yener Yalçin
Writer:
Maryam Keshavarz
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.