A work in constant progress (and occasional regress).
Release Date:
June 2, 1969
Original Title:
The Italian Job
Alternate Titles:
Den vilda biljakten
Faena a la italiana
The Italian Job - Charlie staubt Millionen ab
Un trabajo en Italia
Итальянская работа
เดอะ อิตาเลี่ยน จ๊อบ
Genres:
Action | Comedy | Crime | Thriller
Production Companies:
Oakhurst Productions
Paramount Pictures
Production Countries:
United Kingdom
Ratings / Certifications:
AT: 12 AU: PG BR: L DE: 12 GB: PG GR: K IE: PG JP: R15+ NL: 6 NZ: PG RU: 12+ US: G
Runtime: 99
Charlie's got a 'job' to do. Having just left prison he finds one of his friends has attempted a high-risk job in Torino, Italy, right under the nose of the mafia. Charlie's friend doesn't get very far, so Charlie takes over the 'job'. Using three Mini Coopers, a couple of Jaguars, and a bus, he hopes to bring Torino to a standstill, steal a fortune in gold and escape in the chaos.
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Art Direction:
Michael Knight
Assistant Director:
Scott Wodehouse
Associate Producer:
Robert Porter
Camera Operator:
Chic Waterson
Casting:
Paul Lee Lander
Clapper Loader:
David Wynn-Jones
Construction Manager:
Terry Apsey
Continuity:
Helen Whitson
Costume Design:
Bermans
Director:
Peter Collinson
Director of Photography:
Douglas Slocombe
Editor:
John Trumper
Hairstylist:
Gordon Bond
Location Manager:
Al Burgess
Makeup Artist:
Freddie Williamson
Original Music Composer:
Quincy Jones
Producer:
Stanley Baker
Michael Deeley
Production Design:
Disley Jones
Production Manager:
Derek Kavanagh
Production Secretary:
Barbara Allen
Second Unit Director of Photography:
Norman Warwick
Sound Editor:
Stephen Warwick
Sound Mixer:
John Aldred
Stunt Coordinator:
Derek Ware
Theme Song Performance:
Matt Monro
Wardrobe Master:
Roy Ponting
Wardrobe Supervisor:
Dulcie Midwinter
Writer:
Troy Kennedy Martin
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.