A work in constant progress (and occasional regress).
Release Date:
January 1, 2002
Original Title:
The End of Cinematics
Genres:
Drama | Music
Production Companies:
EXITMUSIC Studios
The Brooklyn Academy of Music
Production Countries:
France | United States of America
Ratings / Certifications:
N/A
Runtime: 70
Drawing on the richness of the good old days of cinema with live music and a thoroughly modern, “hyper-real” film experience with multiple screens and surround sound, The End of Cinematics examines the 21st-century phenomenon of viewing media content in fragmented form. From channel surfing to MTV to formulaic Hollywood films and sitcoms, we’re accustomed to—and adept at—filling in the details of storylines, of grasping an idea and determining its conclusion.
Art Direction:
William Bore
Assistant Editor:
Joe Rause
Assistant Sound Editor:
Rema Williams
Costume Designer:
Barbara Allen
Director:
Mikel Rouse
Editor:
Mikel Rouse
First Assistant Director:
Lisa Thorwal
Hairstylist:
Warren Ray
Location Scout:
George Hattis
Makeup Artist:
Brian McCay
Mixing Engineer:
Mikel Rouse
Music:
Mikel Rouse
Production Design:
Lynn Court
Robert Franks
Production Manager:
Marge Angles
Screenplay:
Mikel Rouse
Script Supervisor:
Anna Thompson
Second Assistant Director:
Andy Clay
Sound Recordist:
Ed Warden
Story:
Mikel Rouse
Supervising Sound Editor:
Paul Kands
Wardrobe Master:
Nancy Hanks
Writer:
Mikel Rouse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.