A work in constant progress (and occasional regress).
Release Date:
March 11, 2001
Original Title:
Nadie te oye: perfume de violetas
Genres:
Drama
Production Companies:
Centro de Capacitación Cinematográfica (CCC)
Hubert Bals Fund
Palmera Films
Producciones Tragaluz
Production Countries:
Mexico | Netherlands
Ratings / Certifications:
CA: 14A MX: B-15
Runtime: 90
Yessica is a rebellious girl who forms an unlikely friendship with quiet schoolmate Miriam. Yessica's home life is ruled by her brutal stepfather and her amoral stepbrother, Jorge, while Miriam shares a calm, loving household with her mother. The girls' friendship is shattered after Jorge arranges to have one of his friends rape Yessica.
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Art Department Assistant:
Joaquín Hernández
Héctor Paredes
Gustavo Zetina
Art Direction:
Guadalupe Sánchez
Assistant Camera:
Pablo Ramírez Durón
Assistant Editor:
Gabriela Botello
Associate Producer:
Juan Carlos Colín
Patricia Coronado
Octavio Maya
Boom Operator:
Ali Gardoqui
Isabel Muñoz
Camera Loader:
Diego González
Camera Operator:
Martín Boege
Cinematography:
Servando Gajá
Color Timer:
Kip Hansen
Costume Design:
Alejandra Dorantes
Director:
Maryse Sistach
Editor:
José Buil
Humberto Hernández
First Assistant Director:
Lucía Gajá
Foley Editor:
Eric Dounce
Andrés Franco
Enrique Greiner
Luise Schröder
Hair Designer:
Guadalupe Damián
Makeup Artist:
Maroussia Beaulieu
Negative Cutter:
Guadalupe Ramírez
Post Production Assistant:
Mario Sandoval
Post Production Coordinator:
Jorge Reygadas
Post-Production Manager:
Tlacatéotl Mata
Producer:
José Buil
Production Manager:
Mireille Bartilotti
Ana Cecilia del Campo
Second Assistant Director:
Issa García-Ascot Ogarrio
Set Decoration:
Soledad González
Set Dresser:
Sebastián Esquivel
Sound:
Antonio Diego
Gabriel Espinoza
Carlos Klachquin
Sound Designer:
Eduardo Vaisman
Nerio Barberis
Lena Esquenazi
Stunts:
Mauricio Martínez
Wardrobe Assistant:
Julio Marín
Writer:
Maryse Sistach
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.