A work in constant progress (and occasional regress).
Release Date:
October 28, 2022
Original Title:
Цена конфликта
Alternate Titles:
Ціна конфлікту
Genres:
Documentary
Production Companies:
UP UA STUDIO
Production Countries:
Ukraine
Ratings / Certifications:
N/A
Runtime: 43
Since the very beginning of Ukrainian independence, Russian propaganda has deceived the miners of Donbass. They were told that the entire economy of Ukraine is surviving just due to their work, and if they separate from Ukraine, all the money from the sold coal will remain in the Donbass. In fact, all mines were unprofitable and survived on subsidies. So when Russia held a referendum for the so-called Luhansk and Donetsk People's Republics in the occupied part of Donbass in 2014, miners gladly supported it. However, it has become clear that Russia is not interested in the development of mines. Moreover, Russia has started to rob mines and fire workers. The film tells in detail why the miners believed the propaganda, how Russians looted the mines and mocked the miners, and what the economic consequences of the conflict were. Initially, the project was conceived as a 4-episode project-series, but in the end one episode was filmed, which became a full-fledged film.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Director:
Volodymyr Sydko
Director of Photography:
Oleksandr Navrotskyi
Editor:
Ihor Hanakov
Idea:
Oleh Bohatov
Producer:
Polina Herman
Screenplay:
Oleh Bohatov
Volodymyr Sydko
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.