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A Black Veil for Lisa (1968) [N/A]

Release Date:
August 11, 1968

Original Title:
La morte non ha sesso

Alternate Titles:
A morte não tem sexo
Das Geheimnis der jungen Witwe
Death Has No Sex
La morte non ha sesso
La muerte no tiene sexo
Le tueur frappe la nuit
Le tueur frappe trois fois
O ekviasmos
Showdown
Um Véu Negro para Lisa

Genres:
Crime | Thriller

Production Companies:
Filmes Cinematografica
PAN Film
Top-Film

Production Countries:
Germany | Italy

Ratings / Certifications:
DE: 18 

Runtime: 95

White veils for angels

Overview from TheMovieDB

Franz Bulon is a police inspector intent on bringing down a major drug ring operating in Hamburg. Thwarted at every turn by an assassin who is systematically killing informants, jealous of his beautiful, younger wife, Lisa, and suspecting her of having an affair (is it real or imagined?), Bulon can scarcely focus on his work. With jealousy nearing the boiling point, Bulon hires Max, the assassin he has arrested for the recent informant murders, to kill his wife...

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Performers

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Production

Art Direction:
Hans Hutter

Assistant Camera:
Giorgio Garibaldi Schwarze

Assistant Director:
Monica Venturini

Assistant Editor:
Pierluigi Leonardi
Brigida Mastrolillo

Camera Operator:
Giuseppe Gatti

Conductor:
Gian Piero Reverberi

Costume Design:
Bonizza Aragno

Dialogue:
Vittoriano Petrilli
Audrey Nohra
Peter Kintzel

Director:
Massimo Dallamano

Director of Photography:
Angelo Lotti

Editor:
Daniele Alabiso

Hair Supervisor:
Marisa Laganga

Makeup Artist:
Raul Ranieri

Music:
Giovanni Fusco
Gianfranco Reverberi

Orchestrator:
Willard Jones

Producer:
Giancarlo Marchetti

Production Design:
Giorgio Aragno

Production Supervisor:
Mario Barboni

Screenplay:
Giuseppe Belli
Vittoriano Petrilli
Massimo Dallamano

Set Decoration:
Giuseppe Bassan

Sound Engineer:
Alessandro Sarandrea

Special Effects:
Ettore Catalucci

Story:
Giuseppe Belli

Stunts:
Gino Marturano

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.