A work in constant progress (and occasional regress).
Release Date:
October 31, 2017
Original Title:
La Macchina Umana
Genres:
Science Fiction
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 20
Future. An analyst and his young patient Stefano, who is unable to relate serenely with love, talk during a psychoanalytic session. His tales of sentimental adventures become a fresco of enthusiasm and vitality, which we only glimpse in the eyes of our analyst.
Assistant Costume Designer:
Giulia Amodei
Paola Stefanelli
Casting:
Laura Beretta
Cinematography:
Simone Siragusano
Co-Producer:
Daniele Urciuolo
Costume Design:
Roberto Conforti
Director:
Simone Siragusano
Adelmo Togliani
Producer:
Adelmo Togliani
Production Accountant:
Erasmo Colucci
Production Design:
Roberto Conforti
Sound Mixer:
Bruno Glisbergh
Writer:
Adelmo Togliani
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.