A work in constant progress (and occasional regress).
Release Date:
November 15, 2022
Original Title:
3. oktavi F
Genres:
Music | Western
Production Companies:
Allfilm
Production Countries:
Estonia
Ratings / Certifications:
N/A
Runtime: 17
A woman’s voice can silence injustice, lower weapons and stop trains. In this opera-western, the question is whether Ada can hit the right note to save her brother's and her own life from the vindictive Sheriff.
Accountant:
Kadri Ratassepp
Art Direction:
Fey Piir
Assistant Editor:
Kaupo Muuli
Boom Operator:
Tristan Rebane
Catering:
Jorma Kroon
Co-Producer:
Raido Toonekurg
Alvar Kõue
Color Grading:
Sten-Johan Lill
Costume Design:
Liis Plato
Costumer:
Katarina Klett
Digital Imaging Technician:
Carlos E. Lesmes
Director:
Eeva Mägi
Director of Photography:
Sten-Johan Lill
Dolly Grip:
Oliver Noor
Editor:
Sten-Johan Lill
Jette Keedus
Electrician:
Teddy Puusepp
First Assistant Director:
Maria Kljukina
Focus Puller:
Ingvar Heamägi
Foley Artist:
Anna-Maria Jams
Gaffer:
Ott Tiigirand
Graphic Designer:
Allan Appelberg
Grip:
Ergo Treier
Key Grip:
Kailo Sinivee
Location Manager:
Markus Langi
Makeup Artist:
Jane Mänd
Makeup Designer:
Arlin Saan
Original Music Composer:
Tanel Kadalipp
Producer:
Kristofer Piir
Production Assistant:
Sander Lebreht
Production Design:
Allan Appelberg
Screenplay:
Eeva Mägi
Script Consultant:
Anti Naulainen
Script Supervisor:
Triin Kadaja
Seamstress:
Inge Vagiström
Second Assistant Camera:
Mihkel Notta
Set Decoration:
Oliver Kurbas
Sound Designer:
Tanel Kadalipp
Sound Recordist:
Tanel Kadalipp
Special Effects Coordinator:
Sami Tammi
Special Effects Makeup Artist:
Arlin Saan
Special Effects Technician:
Kersti Jaani
Stunt Coordinator:
Enar Tarmo
Translator:
Mihkel Mõisnik
Visual Effects:
Tanel Toomsalu
Wigmaker:
Arlin Saan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.