A work in constant progress (and occasional regress).
Release Date:
June 29, 1990
Original Title:
Ghost Dad
Alternate Titles:
Bill Cosby: Unser Papa ist ein Geist
Ghost Dad - Nachrichten von Dad
Ghost Dad - Unser Papa ist ein Geist
Ghost Dad – Nachricht von Papa
Papà è un fantasma
Genres:
Comedy | Family | Fantasy
Production Companies:
SAH Productions
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG DE: 6 GB: PG JP: G KR: All SK: 12 US: PG
Runtime: 84
Elliot Hopper, a widower with three children, is working on a business deal to get his family out of financial straits when he is suddenly killed in a taxi accident. With the aid of a paranormal researcher, Elliott attempts to complete the deal from the beyond, ensuring his family will be taken care of.
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Art Direction:
Bernie Cutler
Assistant Production Coordinator:
Mark Clare Thomas
Casting:
Nancy Nayor
Costume Supervisor:
Winnie D. Brown
Director:
Sidney Poitier
Director of Photography:
Andrew Laszlo
Editor:
Pembroke J. Herring
First Assistant Director:
Candace Allen
Hairstylist:
Lola Kemp
Makeup Artist:
Stephanie Cozart Burton
Original Music Composer:
Henry Mancini
Producer:
Terence Nelson
Production Coordinator:
Susan Dukow
Production Design:
Henry Bumstead
Screenplay:
S.S. Wilson
Brent Maddock
Phil Alden Robinson
Script Supervisor:
Kerry Lyn McKissick
Second Assistant Director:
Hope R. Goodwin
Second Second Assistant Director:
David N. Schrager
Second Unit Director:
Fred Waugh
Second Unit Director of Photography:
David B. Nowell
Second Unit First Assistant Director:
Valley Via Reseigne
Set Decoration:
Richard C. Goddard
Stunts:
Janet Brady
Kenny Endoso
Jeff Imada
David R. Ellis
Gary McLarty
Gregory J. Barnett
John C. Meier
Noon Orsatti
Ernie F. Orsatti
Kym Washington Longino
Unit Production Manager:
David Wisnievitz
Visual Effects Supervisor:
Richard Yuricich
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.