A work in constant progress (and occasional regress).
Release Date:
September 2, 2022
Original Title:
Escape to the Sea
Genres:
Drama | War
Production Companies:
Dogma Studio
Gejzer Produkcija
Gral Film
Production Countries:
Croatia | Macedonia | Montenegro
Ratings / Certifications:
N/A
A German soldier, after avoiding death in a Partisan raid, wanders through the unforgiving mountainous terrain of an unfamiliar country, helplessly seeking salvation.
Assistant Art Director:
Vjeran Čengić
Assistant Costume Designer:
Goran Malčić
Assistant Director:
Vid Spindler
Assistant Editor:
Nina Ugrinović
Mislav Muretić
Assistant Property Master:
Igor Roginić
Boom Operator:
Krešimir Rodić
Carpenter:
Tomislav Brezovec
Tomica Podvorec
Casting Coordinator:
Aleksandra Zgonjanin
Cinematography:
Stanko Herceg
Co-Producer:
Zoran Risteski
Željko Sošić
Construction Foreman:
Josip Rodbinić
Costume Design:
Goranka Krpan
Dialogue Editor:
Bojan Kondreš
Director:
Veljko Bulajić
Editor:
Mato Ilijić
First Assistant "B" Camera:
Ivan Ivče
First Assistant Director:
Aleksander Črček
Focus Puller:
Edvard Hudi
Gaffer:
Josip Milić
Location Manager:
Dean Benc
Makeup Artist:
Goran Ignjatovski
Asja Novaković
Makeup Designer:
Ana Bulajić-Črček
Music:
Duke Bojadžiev
Producer:
Tomislav Žaja
Production Design:
Damir Gabelica
Production Manager:
Aleksander Črček
Props:
Marin Jeremić
Mario Galovič
Script Supervisor:
Nada Pinter
Second Assistant Camera:
Pavle Krnjaić
Second Assistant Director:
Ivana Sudar
Second Unit Director:
Zoran Budak
Set Decoration:
Branka Radonić
Set Dresser:
Adrijan Gabelica
Sound Mixer:
Ivica Slivarić
Special Effects Manager:
Kristijan Repalust
Special Effects Supervisor:
Branko Repalust
Stunts:
Marija Petrović
Plavec Marko
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.