A work in constant progress (and occasional regress).
Release Date:
January 1, 1992
Original Title:
Dangerous Seductress
Alternate Titles:
A Profecia do Espelho
Bercinta dengan Maut
Bio Lady
Epikindynes apoplaniseis
Опасная соблазнительница
Genres:
Horror
Production Companies:
Soraya Intercine Films
Production Countries:
Indonesia | Philippines
Ratings / Certifications:
N/A
Runtime: 95
Susan is beaten by her boyfriend and flees to her sister who works as a fashion model in Indonesia. There, she finds a magic book and makes a deal with a witch.
Art Direction:
Sudarsono
Assistant Art Director:
Bondan
Muchtarrudin
Munawir
Assistant Camera:
Yusuf Safari
Assistant Editor:
Subagio Budi Santoso
Assistant Script:
Posma Hendro Tobinc
Kiki Paat
Associate Producer:
Bill Lindsay
Boom Operator:
Ventje
Adi Molana Machmud
Casting Director:
Irena Kamal
Cinematography:
David Mac
Costume Designer:
Agnes
Costumer:
Dewi
Chairul Anwar
Dialogue:
H.R. Spring
Dialogue Coach:
Karin Johnson
Jerry Chamberland
Director:
H. Tjut Djalil
Editor:
Sean Thought
Executive Producer:
Raam Soraya
First Assistant Sound Editor:
Wayudi Dono
Lighting Technician:
Tosaeri
Taufik
Anis Patty
Eddy Lukman
Basri
Makeup Artist:
M. Asril
Original Music Composer:
Janice Hubbard
Michael Silversher
Producer:
Raam Soraya
Production Designer:
Notto Bagaskoro
Sentot Sahid
Yan Senjaya
Props:
C.S. Jamal
Uki Suprapto
Script:
Usman Gumanti
Second Assistant Sound:
Handi Ilfat Ibrahim
Sound:
Hartanto
Sound Editor:
Lenny
Sound Mixer:
Komaruddin
Sound Recordist:
Handi Ilfat Ibrahim
Special Effects Makeup Artist:
Stephen Prouty
Todd Tucker
Still Photographer:
Riswandi Liono
Stunt Coordinator:
Gatot
Stunts:
Winarto
Winardi
Ujang
Surip
Rudi
Roto
Naseh
Jecky
Farouk
Ellis
Budi
Ardi
Alan
Unit Manager:
Suhatsyah Usef
W. Dody Yudianto
Writer:
H. Tjut Djalil
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.