A work in constant progress (and occasional regress).
Release Date:
September 22, 2022
Original Title:
Abalone Eyes
Genres:
Documentary
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 10
Told through the efforts of Danielle – aka Abalone Eyes, or Ducky to her friends –, this poetic document in film follows her plight to protect the Trinity River that flows the length of Hoopa lands. Retracing Danielle’s activism journey through conversations with elders and honored rituals, Abalone Eyes looks to shed light on the intersections of water justice, native justice, climate justice, and mental health – telling how the Hoopa’s deep connection with the land, and struggle to protect it, runs as deep as the Trinity River that has served as the lifeforce of the community for generations.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.