Home

The Road to Wellville (1994) [R]

Release Date:
October 28, 1994

Original Title:
The Road to Wellville

Alternate Titles:
El balneario de Battle Creek
Morti di salute
窈窕疯人院

Genres:
Comedy | Drama | Romance

Production Companies:
Beacon Communications
Beacon Pictures
Columbia Pictures
Dirty Hands Productions
Per-Fo Pictures

Production Countries:
United States of America

Ratings / Certifications:
DE: 12  FR: U  GB: 15  GR: 13  KR: 18  US: R 

Runtime: 118

A comedy of the heart and other organs.

Overview from TheMovieDB

An unhappy young couple visit the infamous Kellogg spa in Battle Creek, Michigan while a young hustler tries get into the breakfast-cereal business and compete against John Kellogg's corn flakes.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Editor:
Denise Horta

ADR Mixer:
Dean Drabin

ADR Recordist:
Ann Hadsell

ADR Voice Casting:
Barbara Harris

Art Department Coordinator:
Stephanie Wertlake

Art Direction:
John Willett

Assistant Art Director:
David Eckert

Assistant Costume Designer:
Kirsten Hecktermann
Angela Billows

Assistant Editor:
David Feldman
John Marston

Assistant Set Decoration:
Karin Wiesel
Paul Cheponis

Associate Producer:
Lisa Moran

Boom Operator:
Scott Kinzey

Cableman:
Alenka Pavlin

Camera Loader:
Mark Duncan

Camera Operator:
Mike Roberts

Casting:
Howard Feuer
Juliet Taylor

Color Timer:
Mike Milliken

Construction Coordinator:
E.W. Bradford

Construction Foreman:
Jerry G. Henery
Mark Fabert

Costume Design:
Penny Rose

Costumer:
Alonzo Wilson
Marina Marit

Dialogue Editor:
Lucy Coldsnow-Smith
David A. Arnold
Stephanie Flack
Constance A. Kazmer

Director:
Alan Parker

Director of Photography:
Peter Biziou

Dolly Grip:
Mike Moad

Driver:
Tyler C. Daum

Editor:
Gerry Hambling

Executive Producer:
Marc Abraham
Tom Rosenberg

First Assistant Camera:
Bill Coe

First Assistant Director:
Peter Kohn

First Assistant Editor:
Carolyne Chauncey

First Assistant Sound Editor:
David Wolowic

Foley Artist:
Kevin Bartnof
Ellen Heuer
John Roesch
Hilda Hodges

Foley Mixer:
Marilyn Graf
Mary Jo Lang

Foley Recordist:
Ron Grafton
Carolyn Tapp

Foley Supervisor:
Scott D. Jackson

Gaffer:
Peter Bloor

Hairstylist:
Martin Samuel

Leadman:
Stewart 'Polar Bear' Shaw

Local Casting:
Judith Bouley

Makeup Supervisor:
Peter Frampton

Negative Cutter:
Bob Hart

Novel:
T. Coraghessan Boyle

Original Music Composer:
Rachel Portman

Producer:
Armyan Bernstein
Robert F. Colesberry
Alan Parker

Production Controller:
Mary Montiforte

Production Coordinator:
Ingrid Johanson

Production Design:
Brian Morris

Rigging Gaffer:
Dennis J. Lootens

Screenplay:
Alan Parker

Script Supervisor:
Dianne Dreyer

Second Assistant Camera:
Paddy Kiely

Second Assistant Director:
Molly M. Mayeux

Second Second Assistant Director:
Trey Batchelor

Set Decoration:
Claudette Didul

Sound Editor:
Donald J. Malouf
Walter Newman
Jayme S. Parker
Albert Gasser

Sound Mixer:
Nelson Stoll

Sound Re-Recording Mixer:
Andy Nelson
Scott Millan
Anna Behlmer

Special Effects Coordinator:
Alan E. Lorimer

Still Photographer:
Merrick Morton

Stunt Coordinator:
Gary Combs
John Robotham

Stunts:
Greg Brickman
John Copeman
Diane Dalmonte
Joe Dunne
Frank Ferrara Sr.
Denise Fholer
Don Hewitt Sr.
Robert Jauregui
Jennifer Lamb
Dean Mumford
Gary Price
Nick Stamper
John Stoneham Jr.
John Stoneham Sr.

Supervising ADR Editor:
Juno J. Ellis

Supervising Sound Editor:
Alan Robert Murray
Terry Rodman

Transportation Coordinator:
Dennis W. Milliken

Unit Production Manager:
James Bigwood
Chris Coles

Unit Publicist:
Rachel Aberly

Wardrobe Supervisor:
John Hay

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.