A work in constant progress (and occasional regress).
Release Date:
November 10, 2022
Original Title:
El coso
Genres:
Documentary
Production Companies:
Cine Argentino
Fondo Nacional de las Artes
INCAA
Lumen Cine
Vamosviendo Cine
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 73
Federico Manuel Peralta Ramos was an artist responsible for the creation of a work that it was as ephemeral as it is eternal. He was born in a traditional family, but some years later the curiosity for the art scene, night life and avant-garde development pushed him to live within the iconoclastic and unbiased young 60's crowd.
Additional Camera:
José María 'Pigu' Gómez
Marcelo Iaccarino
Chucky Velazco
Additional Director of Photography:
José María 'Pigu' Gómez
Chucky Velazco
Marcelo Iaccarino
Additional Editor:
Sofía Mora
Iair Michel Attías
Federico Rotstein
Additional Writing:
Sofía Mora
Nicolás Gueilburt
Sebastián Rotstein
Assistant Camera:
Martín Poleri
Mauro Braga
Esteban Irgazábal
Assistant Editor:
Gaston Ferrari
Camera Operator:
Diego Poleri
Cinematography:
Diego Poleri
Color Grading:
Mario Pablo Pavez
Director:
Néstor Frenkel
Director of Photography:
Diego Poleri
Editor:
Néstor Frenkel
Executive Producer:
Aníbal Garisto
Music:
Gonzalo Córdoba
Post Production Coordinator:
Gaston Ferrari
Producer:
Sofía Mora
Néstor Frenkel
Production Assistant:
Andrés Doudchitzky
Sound:
Gino Gelsi
Sound Post Supervisor:
Fernando Vega
Sound Recordist:
Gino Gelsi
Visual Effects:
Mario Pablo Pavez
Writer:
Néstor Frenkel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.