El coso (2022) [N/A]

Release Date:
November 10, 2022

Original Title:
El coso

Genres:
Documentary

Production Companies:
Cine Argentino
Fondo Nacional de las Artes
INCAA
Lumen Cine
Vamosviendo Cine

Production Countries:
Argentina

Ratings / Certifications:
 N/A

Runtime: 73

Federico Manuel Peralta Ramos was an artist responsible for the creation of a work that it was as ephemeral as it is eternal. He was born in a traditional family, but some years later the curiosity for the art scene, night life and avant-garde development pushed him to live within the iconoclastic and unbiased young 60's crowd.

Additional information:

The Search Form


Additional Camera:
José María 'Pigu' Gómez
Marcelo Iaccarino
Chucky Velazco

Additional Director of Photography:
José María 'Pigu' Gómez
Chucky Velazco
Marcelo Iaccarino

Additional Editor:
Sofía Mora
Iair Michel Attías
Federico Rotstein

Additional Writing:
Sofía Mora
Nicolás Gueilburt
Sebastián Rotstein

Assistant Camera:
Martín Poleri
Mauro Braga
Esteban Irgazábal

Assistant Editor:
Gaston Ferrari

Camera Operator:
Diego Poleri

Cinematography:
Diego Poleri

Color Grading:
Mario Pablo Pavez

Director:
Néstor Frenkel

Director of Photography:
Diego Poleri

Editor:
Néstor Frenkel

Executive Producer:
Aníbal Garisto

Music:
Gonzalo Córdoba

Post Production Coordinator:
Gaston Ferrari

Producer:
Sofía Mora
Néstor Frenkel

Production Assistant:
Andrés Doudchitzky

Sound:
Gino Gelsi

Sound Post Supervisor:
Fernando Vega

Sound Recordist:
Gino Gelsi

Visual Effects:
Mario Pablo Pavez

Writer:
Néstor Frenkel

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.