A work in constant progress (and occasional regress).
Release Date:
October 15, 2022
Original Title:
DORA - Flucht in die Musik
Alternate Titles:
DORA - Escape into Music
Genres:
Documentary | History | Music
Production Companies:
Bareva Stiftung
Crownhill Foundation
Mariann Steegmann Foundation
Noćni let
TVBMedia Production
Zeit Film Media
docfilmpool
Production Countries:
Croatia | Germany | Liechtenstein | United Kingdom
Ratings / Certifications:
DE: 6
Runtime: 116
The pianist Kyra Steckeweh and the filmmaker Tim van Beveren search for traces where Countess Dora Pejačević (1885-1923) lived and worked. Their documentary is a journey through time to a half brilliant, half broken Europe.
3D Artist:
Johanna Legende
ADR Recording Engineer:
Theresa Singer
Camera Operator:
Angelika Huber
Susanne Dzeik
Oliver Eckert
Nils Liebheit
Colorist:
Alexander Fichtner
Director:
Tim van Beveren
Kyra Steckeweh
Director of Operations:
Jörg Altekruse
Director of Photography:
Tim van Beveren
Dramaturgy:
Ivan Salaj
Editor:
Rita Wally
Tim van Beveren
Executive Co-Producer:
Karla Viebahn
Vera van Beveren
Ivan Salaj
Graphic Designer:
Ulrike Robben
Harald Schröder
Set Designer:
Kim Voit
Sound:
Boris Hofmann
Sound Mixer:
Christian Riegel
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.