A work in constant progress (and occasional regress).
Release Date:
September 7, 2022
Original Title:
La mécanique des fluides
Alternate Titles:
La mecánica de los fluidos
Genres:
Documentary
Production Companies:
Après les Réseaux Sociaux
L’Heure d’été
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 39
In 2018, a user called AnathematicAnarchist published a suicide note in an online forum for incels – a subculture of heterosexual men whose self-pity, misogyny and fantasies of violence dominate the internet in many places and trigger offline actions in some. Did he really take his own life? Is America responsible for his death, as he claims in his text? A search for clues in the darkest corners of the net, an essay about pain and loneliness in the age of algorithms.
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Animation:
Claudia Martín
Director:
Gala Hérnandez
Director of Photography:
Artur-Pol Camprubí
Editor:
Alberto Dexeus
Aleix Fernández
Gala Hérnandez
Music:
Elisa Pereira Martins
Producer:
Ninon Chapuis
Thibault de Gantès
Lucas Le Postec
Sound Editor:
Mélia Roger
Writer:
Gala Hérnandez
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.