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Romper Stomper (1992) [N/A]

Release Date:
March 5, 1992

Original Title:
Romper Stomper

Alternate Titles:
Skinheads
ハーケンクロイツ ネオナチの刻印
ハーケンクロイツ/ネオナチのこくいん

Genres:
Action | Drama | Thriller

Production Companies:
Australian Film Commission
Film Victoria
Romper Stomper Pty. Ltd.
Seon Film Productions

Production Countries:
Australia

Ratings / Certifications:
AU: R18+  DE: 18  GB: 18 

Runtime: 94

You've never seen anything like it.

Overview from TheMovieDB

Nazi skinheads in Melbourne take out their anger on local Vietnamese, who are seen as threatening racial purity. Finally the Vietnamese have had enough and confront the skinheads in an all-out confrontation, sending the skinheads running. A woman who is prone to epileptic seizures joins the skins' merry band, and helps them on their run from justice, but is her affliction also a sign of impurity?

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Performers

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Production

Armorer:
John Fox

Associate Producer:
Phil Jones

Boom Operator:
Catherine Gross

Casting:
Gregory Apps

Continuity:
Victoria Sullivan

Costume Design:
Anna Borghesi

Director:
Geoffrey Wright

Director of Photography:
Ron Hagen

Dolby Consultant:
Steve Murphy

Editor:
Bill Murphy

First Assistant Director:
Chris Odgers

Key Grip:
Leigh Tait

Makeup Artist:
Sue Kelly-Tait
Christine Miller

Original Music Composer:
John Clifford White

Producer:
Ian Pringle
Daniel Scharf

Production Accountant:
Bernadette Breitkreuz

Production Coordinator:
Fiona Eagger

Production Design:
Steven Jones-Evans

Production Manager:
Elisa Argenzio

Screenplay:
Geoffrey Wright

Second Assistant Director:
Monica Pearce

Set Decoration:
Colin Robertson
Lisa Thompson

Sound Designer:
Frank Lipson

Sound Mixer:
Steve Burgess

Sound Recordist:
David Lee

Still Photographer:
Peter Leiss

Third Assistant Director:
Andrew Power

Title Designer:
Oliver Streeton

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.