A work in constant progress (and occasional regress).
Release Date:
January 19, 2023
Original Title:
El método Tangalanga
Alternate Titles:
Tangalanga
Genres:
Comedy
Production Companies:
Varsovia Films
Production Countries:
Argentina
Ratings / Certifications:
MX: B-15
Runtime: 98
Shy corporate employee Jorge Rizzi's life takes an uproarious turn when he participates in a hypnosis session that rips off his inhibitions and releases a hilarious alter ego.
Animal Wrangler:
Zulma Randazzo
Art Direction:
Ana Cambre
Agustín Ravotti
Assistant Art Director:
Lupe Giménez
Assistant Camera:
Florencia Manca
Assistant Director:
Esteban Trivisonno
Carpenter:
Matías Bereslawski
Colorist:
Luisa Cavanagh
Continuity:
Carla Petrillo
Costume Designer:
Julián Rugolo
Costumer:
Julián Rugolo
Dialogue Editor:
Florencia González Rogani
Director:
Mateo Bendesky
Director of Photography:
Daniel Ortega
Editor:
Federico Rotstein
Executive Producer:
Diana Salomé Cabral
Carolina Penelas
Mateo Bendesky
First Assistant Camera:
Florencia Manca
First Assistant Director:
Estefania Andreotti
Hair Designer:
Adriana Rinaldi
Location Manager:
Martín Fernández
Makeup Designer:
Beata Wójtowicz
Music:
Gabriel Chwojnik
Post-Production Manager:
Gaston Ferrari
Producer:
Diego Dubcovsky
Production Design:
Ariana Aisenberg
Screenplay:
Sergio Dubcovsky
Nicolás Schujman
Mateo Bendesky
Second Assistant Director:
Santino Taratuto
Sound:
Mercedes Tennina
Sound Effects Editor:
Lautaro Zamaro
Sound Mixer:
Sebastián González
Sound Recordist:
Enrique Migliorelli
Miguel Tennina
VFX Artist:
Guadalupe Barbara
Leopoldo Castro
Guido Chapto
Jonathan Monroig
Leonardo Quartieri
Martín Quirós
VFX Editor:
Morena Celesa Destéfano
Camila Sassi
VFX Supervisor:
Natalia Paez
Visual Effects Producer:
Ariadna Ortiz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.