A work in constant progress (and occasional regress).
Release Date:
December 23, 2022
Original Title:
Arquitectura emocional 1959
Alternate Titles:
Emotional Arquitecture 1959
Genres:
Drama
Production Countries:
Spain
Ratings / Certifications:
ES: APTA
Runtime: 30
Here is the love story of Sebas and Andrea, first-time university students, in the 1958-1959 academic year. Here is how social class and ideology become insurmountable obstacles?... Here is architecture marking, inadvertently, the dotted line that ends up dictating its emotion.
Assistant Editor:
Agustín Serna G. Lavín
Colorist:
Andrés Lopetegui
Costume Design:
Anna Pons
Director:
Elías León Siminiani
Director of Photography:
Giuseppe Truppi
Víctor Benavides
Editor:
Juan Alba
Executive Producer:
Ainhoa Ramírez
María Herrera
First Assistant Camera:
Antonio Munáiz
First Assistant Director:
Manon Touzelet
Lorena Tudela
Foley Artist:
Álex F. Capilla
Graphic Designer:
Laura Renau
Head of Production:
Jesús Moreno
Music:
Aránzazu Calleja
Post Production Coordinator:
Juan Alba
Agustín Serna G. Lavín
Producer:
Ainhoa Ramírez
Elías León Siminiani
María Herrera
Production Assistant:
Daniel Ávila
Carlos Iglesias
José Díaz
Sergio Moreno
Production Manager:
Ainhoa Ramírez
María Herrera
Second Assistant Director:
Fernando Ariza
Sound:
Pablo Rivas Leyva
Sound Editor:
Maider Urkitza
Nacho Royo-Villanova
Sound Mixer:
Maider Urkitza
Nacho Royo-Villanova
Sound Recordist:
Carla Silván
VFX Artist:
Fernando Marcilla
Writer:
Elías León Siminiani
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.