A work in constant progress (and occasional regress).
Release Date:
December 10, 1999
Original Title:
Deuce Bigalow: Male Gigolo
Alternate Titles:
Deuce Bigalow - er du til noget?
Deuce Bigalow 1
Deuce Bigalow 1 - Male Gigolo
Gigolo à tout prix
O home puta
Rent a Man Ein Mann fuer gewisse Sekunden
デュース・ビガロウ、激安ジゴロ!?
憨直舞男
戆直舞男
脱线牛郎
Genres:
Comedy
Production Companies:
Happy Madison Productions
Quinta Communications
Touchstone Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M CZ: 12+ DE: 12 ES: 18 GB: 15 HU: 12 IE: 16 JP: G NL: 6 PL: 16 US: R
Runtime: 88
Deuce Bigalow is a less than attractive, down on his luck aquarium cleaner. One day he wrecks the house of a gigolo and needs quick money to repair it. The only way he can make it is to become a gigolo himself, taking on an unusual mix of female clients. He encounters a couple of problems, though. He falls in love with one of his unusual clients, and a sleazy police officer is hot on his trail.
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"B" Camera Operator:
Peter Mercurio
Assistant Art Director:
Domenic Silvestri
Assistant Property Master:
Scott W. Leslie
Associate Producer:
Michelle Archer
Best Boy Electric:
Donald D. Davidson
Camera Operator:
John Connell
Casting:
Marcia Ross
Donna Morong
Gail Goldberg
Choreographer:
Adam Shankman
Co-Producer:
Alex Siskin
Harris Goldberg
Color Timer:
Terry Claborn
Costume Design:
Molly Maginnis
Costume Supervisor:
James Lapidus
Director:
Mike Mitchell
Director of Photography:
Peter Lyons Collister
Editor:
George Bowers
Lawrence Jordan
Executive Producer:
Adam Sandler
Jack Giarraputo
First Assistant "B" Camera:
Darrin DeLoach
First Assistant Camera:
Nick Infield
First Assistant Director:
Cara Giallanza
First Assistant Editor:
Laura Behary
Foley Recordist:
Klaus Peintner
Gaffer:
Shane D. Kelly
Hair Department Head:
Jeri Baker
Hairstylist:
Candy L. Walken
David Blair
Key Grip:
Stuart Abramson
Leadman:
Richard Brunton
Location Manager:
Michael Neale
Greg Lazzaro
Makeup Artist:
Jackie Dobbie
Makeup Department Head:
Nena Smarz
Music:
Teddy Castellucci
Music Editor:
Stuart Grusin
Music Supervisor:
Michael Dilbeck
Producer:
Sidney Ganis
Barry Bernardi
Production Coordinator:
Stiles White
Production Design:
Alan Au
Property Master:
Max E. Brehme
Screenplay:
Rob Schneider
Harris Goldberg
Script Supervisor:
Nancy Karlin
Second Assistant Director:
Eric Fox Hays
Set Costumer:
Natasha Walsh
Deborah Slate
Set Decoration:
Beauchamp Fontaine
Sound Mixer:
David Kelson
Sound Re-Recording Mixer:
Elliot Tyson
Tom E. Dahl
Special Effects Coordinator:
David Blitstein
Still Photographer:
Myles Aronowitz
Storyboard:
Mike Cachuela
Stunt Coordinator:
Gregg Smrz
Stunt Double:
Gary Guercio
Stunts:
May Boss
John Branagan
Marla Casey
Laura Lee Connery
Dane Farwell
Randy Hall
Julie Ann Johnson
Gloria O'Brien
Carrick O'Quinn
Myke Schwartz
Lincoln Simonds
Shirley Smrz
Justin Thompson
Transportation Coordinator:
Edward Flotard
Unit Production Manager:
Karen Hughes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.