A work in constant progress (and occasional regress).
Release Date:
October 18, 2022
Original Title:
The Homes We Carry
Genres:
Documentary
Production Companies:
Film Five
Film University Babelsberg Konrad Wolf
RBB
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 89
Hammer and compass in Mozambique. We see a GDR flag waved at a rally in Maputo, carried by "Madgermanes", contract workers who once toiled in eastern Germany. Some of them founded families there, like Eulidio. His daughter Sarah grows up with her mother in Berlin. The relationship with her "second home" is slow in growing, partly thanks to Luana, Sarah's baby, whose father, Eduardo is also from Mozambique.
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Cinematography:
David Simon Groß
Co-Director:
David Simon Groß
Malte Wandel
Director:
Brenda Akele Jorde
Editor:
Laura Espinel
Executive Producer:
Stefan Kauertz
Yan Schoenefeld
Original Music Composer:
Lenna Bahule
Producer:
Miriam Henze
Florian Schewe
Sound:
Brenda Akele Jorde
Manuel Melchsner
André Estevão Bahule
Jakob Mäsel
Till Aldinger
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.