A work in constant progress (and occasional regress).
Release Date:
January 30, 1964
Original Title:
Como dos gotas de agua
Alternate Titles:
Como 2 gotas de agua
Genres:
Comedy | Music
Production Companies:
Producciones Benito Perojo
Production Countries:
Spain
Ratings / Certifications:
RO: AP
Runtime: 92
The lawyer Angela Goñi is working in two cases at once: an man that wants to take to Pilo, a young orphan, tp a protection child school. And Mili, another young woman neglected by his father, a businessman, whose aunt Teresa wants to claim through the courts. Taking advantage of the amazing similarity between the girls, the lawyer makes many things to try to resolve the situation as happy as possible.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Camera:
Luis Peña
Assistant Director:
Augusto Fenollar
Assistant Editor:
Clorinda Cáceres
Assistant Makeup Artist:
Consuelo Blasco
Assistant Set Decoration:
Antonio de Miguel
Camera Operator:
Eduardo Noé
Choreographer:
Alfredo Alaria
Costume Designer:
Balenciaga
Caruncho
Rango
Director:
Luis César Amadori
Director of Photography:
Antonio L. Ballesteros
Editor:
Antonio Ramírez de Loaysa
Hairstylist:
Inés González
Makeup Artist:
Julia Fortea
Music:
Gregorio García Segura
Production Assistant:
Juan Mauricio Matías
José Luis Rubio
Production Manager:
Miguel Tudela
Property Master:
Jesús Narro
Props:
Antonio Luna
Screenplay:
José María Iglesias
Script Supervisor:
Carmen Pageo
Set Decoration:
Enrique Alarcón
Settings:
Francisco Rodríguez Asensio
Sound Recordist:
José María San Mateo
Still Photographer:
Miguel Guzmán
Wardrobe Master:
Humberto Cornejo
Writer:
Luis César Amadori
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.