A work in constant progress (and occasional regress).
Release Date:
October 23, 2022
Original Title:
Arctic Monkeys Live at Kings Theatre
Genres:
Documentary | Music
Production Companies:
A Ways & Means
Ways & Means
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 45
Arctic Monkeys play the Kings Theatre in Brooklyn, NY in support of their new album "The Car"
Camera Operator:
Wesley Kabakjian
Chris Messina
Alex Ashe
Jason Chau
Izumi Shikibu
Rob Wood
Color Assistant:
Max Ferguson-Hook
Sharn Talbott
Angie Broomfield
Color Grading:
Time Based Arts
Colorist:
Simone Grattarola
Dialogue Editor:
Ian Shea
Digital Imaging Technician:
Michael Macalincag
Director:
Ben Chappell
Zackery Michael
Director of Photography:
Josh Echevarria
Driver:
Mecca Shabazz
Editor:
Matt Cronin
Executive Producer:
Emma Greengrass
Ian McAndrew
Chris Scott
Peter Berard
First Assistant Camera:
Jake Shapiro
Swelee Joseph
Claribel Tejeda
Isabella Granada
Percio Luciano
Haitao Zeng
Head of Production:
Lauren Skillen
Leadman:
Evan Schafer
Post Producer:
Ade Macalinao
Post Production Supervisor:
Grant Keiner
Producer:
Lana Kim
Jett Steiger
David Duque-Estrada
Production Design:
Alison Melillo
Production Manager:
Dana Jensen
Second Assistant "A" Camera:
Jet Cafuli
Second Assistant "B" Camera:
Jet Cafuli
Second Assistant "C" Camera:
Nicole Hansen
Andrew Berry
Second Assistant "D" Camera:
Nicole Hansen
Andrew Berry
Set Production Assistant:
Kathy Higgins
Sound:
Matt Colton
Sound Assistant:
Steve Lopez
Sound Mixer:
James Ford
Title Designer:
Matthew Cooper
Truck Production Assistant:
Prince Elder
Video Assist Operator:
Jeff Reeves
Steve Carlson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.