A work in constant progress (and occasional regress).
Release Date:
March 17, 2023
Original Title:
わたしの幸せな結婚
Alternate Titles:
As Long As We Both Shall Live
My Happy Marriage
Watashi no Shiawasena Kekkon
ขอให้รักเรานี้ได้มีความสุข
我的幸福婚約
Genres:
Drama | Fantasy | Romance
Production Companies:
KADOKAWA
TBS
TBS Sparkle
TOHO
Production Countries:
Japan
Ratings / Certifications:
JP: G KR: 12
Runtime: 115
An unhappy young woman from an abusive family is married off to a fearsome and chilly army commander. But the two learn more about each other, love may have a chance.
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Animation:
Atsushi Yasuoka
Art Direction:
Eri Sakushima
Associate Producer:
Yûta Mizuki
CG Artist:
Kaihei Hayano
Color Grading:
Seiji Saitô
Compositing Artist:
Ryôta Deishi
Kanae Ebe
Costume Design:
Masae Miyamoto
Director:
Ayuko Tsukahara
Director of Photography:
Shôji Ehara
Editor:
Daisuke Morimoto
Executive Producer:
Julie K. Fujishima
Daiji Horiuchi
Minami Ichikawa
Masaya Ikebe
Tatsuo Kawamura
Takeyuki Okazaki
Gaffer:
Takashi Sugimoto
Line Producer:
Kaori Shiomura
Makeup & Hair:
Tomoko Chiba
Music Supervisor:
Koji Endo
Novel:
Akumi Agitogi
Original Music Composer:
Akiyuki Tateyama
Producer:
Reiko Imayasu
Yu Inagaki
Shoichi Kato
Keiko Matsumoto
Masaru Inagaki
Production Assistant:
Ai Aoyama
Production Manager:
Toshimitsu Matsuoka
Moyu Matsuda
Screenplay:
Tomoe Kanno
Script Editor:
Junko Morimoto
Set Decoration:
Hiroaki Horiguchi
Sound Recordist:
Yamato Katô
VFX Artist:
Yukio Tsunekawa
VFX Supervisor:
Gaku Go
Visual Effects Designer:
Toshihiko Nakajima
Visual Effects Director:
Atsushi Sugimoto
Visual Effects Producer:
Masaya Kawasaki
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.