A work in constant progress (and occasional regress).
Release Date:
October 12, 2021
Original Title:
SADA
Genres:
Documentary
Ratings / Certifications:
N/A
Runtime: 55
Sada, meaning «echo» in Arabic, was conceived as Sada for Iraqi art by the Baghdad-born Rijin Sahakian. Sahakian set up the initiative, which ran from 2011 to 2015, in order to support Baghdad-based artists facing the damage done to the contemporary art infrastructure in Iraq after cycles of war, destruction, sanctions, and continual political insecurity. For «documenta fifteen», Sahakian invited former participants of Sada to produce video work reflecting on their practice and where they are today. The participating artists are Sajjad Abbas, Bassim Al Shaker, Layth Kareem, Ali Eyal, Raed Mutar, Sarah Munaf, and Sahakian herself. This almanac is a valuable historical document about a country destroyed by a bloody war.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.