A work in constant progress (and occasional regress).
Release Date:
April 2, 2022
Original Title:
Techno Precariedad
Genres:
Comedy | Drama
Production Companies:
Juan Tamargo Velasco
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 25
Dioni, like every day, is late for work. His boss already warned him that if this happened again, he would leave him on the street. Someone is going to have to run if he wants to get paid this month...
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Art Direction:
Marina Mohedano
Assistant Art Director:
Estefanía Hernández
Assistant Camera:
David de la Calle
Diego Chapa
Assistant Director:
Beltrán Sánchez
Mikel S. Galarza
Judith Gracia
Fernando Caturla
Boom Operator:
Andrés Laborda
Camera Operator:
Borja Arribas
Diego Chapa
Cinematography:
Borja Arribas
Color Grading:
Borja Arribas
Dialogue Editor:
Julio César
Director:
Juan Tamargo
Millán Martín
Editor:
Mike Samper
Executive Producer:
Gonzalo Vergara
Juan Tamargo
Foley Artist:
Pedro Andrés Cedenilla
Ignacio Mendo
Graphic Designer:
Plastikgirl
Head of Production:
Gonzalo Vergara
G. A. Carabias
Heitor Tomé
Makeup & Hair:
Beatriz Coloma
Music:
Franklin Merejo Santos
Music Producer:
Franklin Merejo Santos
Musician:
Moe el Tubero
Post Production Coordinator:
Gonzalo Vergara
Producer:
Gonzalo Vergara
Production Assistant:
José Tamargo
Javier Sanz
Production Director:
Gonzalo Vergara
Props:
Mariona Rivera
Fabián Bojkovsky
Recording Supervision:
Julio César
Sound Director:
Pau Bay
Sound Editor:
Gonzalo Vergara
Pau Bay
Sound Effects:
Mike Samper
Sound Supervisor:
Gonzalo Vergara
Still Photographer:
Iván Ortiz
Thanks:
Roxana Happy
Claqueta Producciones
Jimmy Quezada
Ismael Morales
El Pertigosaurio
Elia Sáez Molla
Persianas Aluche
Jorge El Paisa
Writer:
Alfonso García-Olías
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.