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The Men Who Stare at Goats (2009) [R]

Release Date:
October 17, 2009

Original Title:
The Men Who Stare at Goats

Alternate Titles:
Czlowiek, który gapil sie na kozy
Els homes que miraven fixament les cabres
Hombres de Mentes
Kecskebüvölők
L'uomo che fissa le capre
Les Chevres du Pentagone
Les hommes qui regardent les chèvres
Los hombres que miraban fijamente a las cabras
Mehed, kes jõllitavad kitsesid
Menn som stirrer på geiter
Oi antres pou koitoun epimona katsikes
Os Homens Que Encaravam Cabras
The Men Who Stare at Goats
Vuohia tuijottavat miehet
Безумный спецназ
초[민망한]능력자들

Genres:
Comedy | War

Production Companies:
BBC Film
Mandate International
Overture Films
Ruby Films
Smoke House Pictures
UK Film Council

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
AT: 14  AU: M  BR: 14  CH: 16  CZ: 15+  DE: 12  DK: 15  ES: 7  FR: U  GB: 15  GR: 16  HU: 16  IE: 15A  NL: 12  NO: 15  PL: 16  PT: M/12  US: R 

Runtime: 94

No goats. No glory.

Overview from TheMovieDB

A reporter in Iraq might just have the story of a lifetime when he meets Lyn Cassady, a guy who claims to be a former member of the U.S. Army's New Earth Army, a unit that employs paranormal powers in their missions.

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Additional information:

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Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

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Production

ADR Editor:
Christopher T. Welch

ADR Mixer:
Dean St. John

Art Direction:
Peter Borck

Associate Producer:
Luillo Ruiz

Boom Operator:
Robert Jackson

Camera Operator:
Colin Anderson

Casting:
Amanda Mackey
Cathy Sandrich Gelfond

Chief Lighting Technician:
Rick Thomas

Color Timer:
Jim Passon

Costume Design:
Louise Frogley

Costume Supervisor:
Richard Schoen

Dialect Coach:
Elizabeth Himelstein

Dialogue Editor:
Christopher T. Welch

Digital Intermediate Editor:
Devon Miller

Digital Intermediate Producer:
Christian Prejza

Director:
Grant Heslov

Director of Photography:
Robert Elswit

Dolly Grip:
Jeff Kunkle

Editor:
Tatiana S. Riegel

Executive Producer:
Barbara A. Hall
James A. Holt
David M. Thompson
Alison Owen

First Assistant Director:
David Webb

First Assistant Editor:
Pablo Prietto

Foley Artist:
Andy Malcolm
Caoimhe Doyle
Goro Koyama

Hair Designer:
Waldo Sanchez

Key Makeup Artist:
Jay Wejebe

Key Set Costumer:
Tom Cummins

Makeup Department Head:
Ken Diaz

Music Editor:
Nick South

Music Supervisor:
Linda Cohen

Novel:
Jon Ronson

Orchestrator:
Tony Blondal

Original Music Composer:
Rolfe Kent

Payroll Accountant:
Jim Swidarski

Producer:
Grant Heslov
Paul Lister
George Clooney

Production Design:
Sharon Seymour

Production Supervisor:
Charlene Olson
Michelle Lankwarden

Property Master:
Andrew Petrotta

Screenplay:
Peter Straughan

Script Supervisor:
Coraly Santaliz

Seamstress:
Deborah Andrews

Second Assistant Director:
John R. Saunders

Second Second Assistant Director:
Ian Calip

Set Costumer:
Ali Lammari

Set Decoration:
Mónica Monserrate
Marcia Calosio

Set Designer:
Amahl Lovato

Sound Designer:
Mark Mangini

Sound Effects Editor:
George Simpson
Piero Mura

Sound Mixer:
Edward Tise

Sound Re-Recording Mixer:
Matthew Iadarola
Mark Mangini

Special Effects Coordinator:
Kevin Harris

Still Photographer:
Laura Magruder

Stunt Coordinator:
Jeffrey Lee Gibson

Stunt Double:
Pat Banta
Jorge Cisneros
Drew Leary
Vince Deadrick Jr.
Anthony Molinari
Loyd Catlett
Alan D'Antoni
Edward Conna
Mark Aaron Wagner

Stunt Driver:
Chick Bernhard
Ed Duran
John Prudhont
Bobby Beckles
Jay Spadaro
Jalil Jay Lynch

Stunts:
Bobby Burns
Jaime Irizarry
Ramon Frank
Scott M. Helgert
Merik Tadros
Erik Martin
Jay Spadaro

Unit Production Manager:
Barbara A. Hall
Ellen Gordon

Utility Stunts:
Al Goto
Peewee Piemonte

Video Assist Operator:
Adam Barth

Visual Effects Supervisor:
Thomas J. Smith

Wig Designer:
Martial Corneville

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.