A work in constant progress (and occasional regress).
Release Date:
February 22, 1972
Original Title:
Future Shock
Genres:
Documentary
Production Companies:
McGraw-Hill Films
Metromedia Producers Corporation
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 43
“Our modern technology has achieved a degree of sophistication beyond our wildest dreams. But this technology has exacted a pretty heavy price. We live in an age of anxiety, a time of stress. And with all our sophistication we are in fact, the victims of our own technological strength. We are the victims of shock … of future shock.” No, this isn’t a quote from a Huffington Post column on the Facebookization of modern communication. Nor is it pulled from an academic treatise on the phenomenologies of post-industrial existence. This statement was made by Orson Welles in the 1972 futurist documentary Future Shock, and, unlike some of the more dated elements of 1970s educational films, Future Shock remains shockingly current in verbalizing the concerns and anxieties that come along with rapid societal and technological change. (Indiana University Libraries Moving Image Archive)
Associate Producer:
Karl Schanzer
Book:
Alvin Toffler
Director:
Alexander Grasshoff
Director of Photography:
Vilis Lapenieks
Editor:
David Newhouse
Executive Producer:
Charles W. Fries
Original Music Composer:
Gil Mellé
Production Manager:
Joe Wonder
Writer:
Ken Rosen
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.