A work in constant progress (and occasional regress).
Release Date:
May 11, 2012
Original Title:
Histórias Que Só Existem Quando Lembradas
Alternate Titles:
Historias: Les histoires n'existent que lorsque l'on s'en souvient
Genres:
Drama
Production Companies:
Agência Nacional do Cinema - ANCINE
Bonfilm
CEPA Audiovisual
CNC
MPM Film
Programa Ibermedia
Taiga Filmes
Production Countries:
Brazil
Ratings / Certifications:
CA: 14A
Runtime: 98
Each citizen of Jotuomba plays an integral role in village life. Madalena is responsible for baking bread; each morning she stacks her rolls as Antonio prepares the coffee. The two share a morning ritual of arguments and insults, followed by an amicable cup of coffee on the bench outside Antonio's shop. At midday the church bells ring, summoning the villagers to mass. In the early evening, they all share a meal together. And so life proceeds in Jotuomba, the days languidly drifting into one another; the only variations seem to be in the weather. But, one day Rita arrives looking for a place to stay.
Art Direction:
Marina Kosovski
Director:
Julia Murat
Director of Photography:
Lucio Bonelli
Editor:
Marina Meliande
Music:
Lucas Marcier
Producer:
Felicitas Raffo
Julia Solomonoff
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.