A work in constant progress (and occasional regress).
Release Date:
May 16, 2010
Original Title:
Cleveland contre Wall Street
Alternate Titles:
Cleveland contra Wall Street
Cleveland contre Wall Street
Genres:
Crime | Documentary | Drama
Production Companies:
ARTE France Cinéma
Les Films Pelléas
SAGA Production
Production Countries:
France | Switzerland
Ratings / Certifications:
CH: 12
Runtime: 94
On 11th January 2008, hired by the City of Cleveland, lawyer Josh Cohen and his team filed a lawsuit against 21 banks, which they held accountable for the wave of foreclosures that had left their city in ruins. Since then, the bankers on Wall Street have been fighting by with all available means to avoid going to court. This film is the story of that trial. A film about a trial that may never be held but in which the facts, the participants and their testimonies are all real: the judge, lawyers, witnesses, even the members of the jury - asked to give their verdict - play their own roles. Step by step, one witness after another, the film takes apart, from a plain, human perspective, the mechanisms of subprime mortgage loans, a system that sent the world economy reeling. A trial for the sake of example, a universal fable about capitalism
Director:
Jean-Stéphane Bron
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.