A work in constant progress (and occasional regress).
Release Date:
May 11, 2012
Original Title:
Stash House
Alternate Titles:
Uwięzieni
Genres:
Thriller
Production Companies:
After Dark Films
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 FR: 16|10 JP: R18+
Runtime: 95
Dave and Emma have found the perfect house, until they discover a stash of heroin and end up imprisoned in it by violent thugs.
"A" Camera Operator:
Imre Juhász
"B" Camera Operator:
Brown Cooper
ADR Editor:
Jesse Kees
ADR Mixer:
Dicken Berglund
ADR Supervisor:
Peggy Blum
Additional Editor:
Andrew Drazek
Art Department Coordinator:
Kristin Cheramie
Art Direction:
James Eubank
Assistant Accountant:
Edward Trant
Assistant Editor:
Harry James Picardi
Assistant Location Manager:
Curt Jackson
Assistant Property Master:
Andy Montagnino
Associate Producer:
Arnaud Lannic
Wayne Marc Godfrey
Robert Jones
Stacy Frankel
Best Boy Electric:
Kyle D. Hutson
Best Boy Grip:
Fred Cooper
Boom Operator:
Ryan Chase Lee
Paul Knox
Casting:
Shannon Makhanian
Brent Caballero
Co-Producer:
Christopher Milburn
Stephanie Caleb
Lucy Mukerjee-Brown
Josh Adler
Michael L. Goldberg
Construction Coordinator:
James Eubank
Costume Assistant:
Julie Viguerie
Costume Designer:
Jennifer Kamrath
Costume Supervisor:
Britany Viguerie
Craft Service:
Sherry Richard
Dialogue Editor:
Jon Vogl
Director:
Eduardo Rodríguez
Director of Photography:
Matthew Irving
Editor:
Don Adams
Eduardo Rodríguez
Electrician:
Drew Frazier
Executive Producer:
Nick Thurlow
Gregory M. Walker
Courtney Solomon
Dolph Lundgren
Steven A. Frankel
Bobby Ranghelov
Extras Casting:
Hank Langlois
First Assistant "A" Camera:
Marcos O. Lopez
First Assistant Accountant:
Alan Lam
First Assistant Director:
Farris Hopkins
Foley Artist:
Monique Raymond
Foley Mixer:
Peggy Blum
Gaffer:
Dave Duren
Grip:
Khris Bennett
Michael Giannaccio
Hair Department Head:
Tracy McCaskill
Key Grip:
Darryl Wilson
Key Set Costumer:
Nyima Johnston
Leadman:
Greg White
Line Producer:
Charles Rapp
Location Manager:
Dawson Warner
Makeup Artist:
Emily Tatum
Makeup Department Head:
Jacenda Burkett
Music Coordinator:
Andy Ross
Music Supervisor:
Jeremy Pleasant
Online Editor:
Adam Rowe
Original Music Composer:
Luis Ascanio
Payroll Accountant:
Karen Scarborough
Post Production Accountant:
Kate Bowen
Post Production Assistant:
Jesse Kees
Post Production Coordinator:
Gerri Sax Bove
Post Production Supervisor:
AK Charupe
Producer:
Alan Amiel
Moshe Diamant
Joel Silver
Production Accountant:
Sylvia Frantom
Production Assistant:
John Bellina
Production Controller:
Dorit Yosha
Production Coordinator:
Claire Schexnayder
Production Design:
Michelle Jones
Production Secretary:
Joe Hagg
Property Master:
Rose Leiker
Script Supervisor:
Jennifer Carriere
Second Assistant "A" Camera:
Amanda Bruce Parker
Second Assistant "B" Camera:
Ryosuke Kawanaka
Second Assistant Director:
Vanessa Hickey
Second Second Assistant Director:
Sara Lou Hartman
Set Decoration:
John Richoux
Set Designer:
Jessica Navran
Set Dresser:
Jonathan Cappel
S. Todd Whitaker
Set Medic:
Pauline Boudreaux
Sound Effects Editor:
David Barbee
Jesse Kees
Sound Mixer:
Michael Russo
Sound Re-Recording Mixer:
Jon Vogl
Mark Ettel
Sound Supervisor:
Jon Vogl
Still Photographer:
Rico Torres
Stunt Coordinator:
William Scharpf
Stunts:
Stanton Barrett
Caitlin Kinney
Nick Epper
Lex D. Geddings
Supervising Sound Effects Editor:
Steve Papagiannis
Transportation Captain:
Larry Arceneaux
Transportation Coordinator:
Marina Ranghelova
Unit Production Manager:
Charles Rapp
Utility Stunts:
John Zimmerman
Tom Akos
Visual Effects Producer:
D.J. Shea
Visual Effects Supervisor:
Tarn Fox
Writer:
Gary Spinelli
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.