A work in constant progress (and occasional regress).
Release Date:
August 3, 2022
Original Title:
Keroseno
Genres:
Thriller
Production Companies:
Ecib
El Dedo en el Ojo
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 11
Two couples take their vehicles and hit the road. Through curves and straights the speed and heat increase. They go in opposite directions, faster and faster, closer and closer.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Narella Bergallo
"B" Camera Operator:
Oriol Novella
Administration:
Mariví García
Art Direction:
Ane Nafarrate
Roger Aymerich
Assistant Director:
Marc Adran Moreno
Cinematography:
Ander Reviejo
Narella Bergallo
Color Grading:
Miguel Venegas
Creative Consultant:
Patricio Suarez
Oriol Novella
Luis Ugarte
Digital Imaging Technician:
Ignasi Armayones Martínez
Director:
Ander Reviejo
Editor:
Alexandre Kröner Moreira
Electrician:
Bernardo Velasquez
First Assistant "A" Camera:
Elio Mulas
First Assistant "B" Camera:
Adrián Stuti Stutzbarth
Gaffer:
Miguel Venegas
Head of Production:
Sandra Espeleta
Key Grip:
Bernardo Velasquez
Music:
Zagora
Producer:
María José García
Production Assistant:
Gerard Castellet
Production Director:
Mélody Brechet
Production Runner:
Manuel Ochoa
Production Secretary:
Bea Hernández
Production Sound Mixer:
Alexandre Kröner Moreira
Script:
Arturo Hervás
Second Assistant "A" Camera:
João Vicente Mesquita
Second Assistant "B" Camera:
João Vicente Mesquita
Sound Assistant:
Ignasi Armayones Martínez
Sound Post Production Coordinator:
Ignasi Armayones Martínez
Still Photographer:
Gabriel Ubierna
Thanks:
Rosario Salmerón
Adrià Perez
María Andújar
Natalia Mercader Gamez
VFX Artist:
Alexandre Kröner Moreira
Vehicles Wrangler:
Joan Carbonell
Oriol Novella
Writer:
Ander Reviejo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.