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Historias Breves II: Fuera de Servicio (1996) [N/A]

Release Date:
January 1, 1996

Original Title:
Historias Breves II: Fuera de Servicio

Genres:
Drama

Production Companies:
INCAA

Production Countries:
Argentina

Ratings / Certifications:
 N/A

Runtime: 13

Overview from TheMovieDB

A phone call can turn into an entire odyssey.

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Additional information:

The Search Form


Performers

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Production

Assistant Director:
María Paz León

Camera Operator:
Adam Cooper

Cinematography:
Adam Cooper

Costume Designer:
María Eva Ruso

Director:
Javier Argüello

Editor:
Silvia Ripoll

Electrician:
Abel Peñalba
Martin Coceres
Natalia Gimas
Lucas Schiaffi

First Assistant Camera:
Fernando Viñuela

Gaffer:
Picky Talarico

Generator Operator:
Tito Mora

Grip:
Guillermo Nespolo

Makeup Designer:
Paula Righi

Music:
Martín Bianchedi

Negative Cutter:
Cristina González

Producer:
Emilce Díaz

Producer's Assistant:
Luciano Halac
Martín Dvorkin
Soledad Iann

Production Assistant:
Sebastián Goñi
Guillermo Antico
Andrés G. Schaer

Props:
Puppy Gorriti

Second Assistant Camera:
Emiliano López

Second Assistant Director:
Nora Mazzitelli

Sound:
Pepe Grammatico

Sound Editor:
Guillermo Rodríguez
Pedro Marra
Eduardo Prus

Still Photographer:
Federico Méndez Ribas

Storyboard:
Fernando Santamarina

Thanks:
Graciela Speranza

Title Designer:
Mariano López Franconi

Writer:
Javier Argüello

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.