A work in constant progress (and occasional regress).
Release Date:
November 2, 1975
Original Title:
Africa Express
Alternate Titles:
Africa Expreß - Ein Teufelskerl in Africa
Άφρικα Εξπρές
Genres:
Action | Adventure | Comedy
Production Companies:
Deutsche Fox-Film
Tritone Cinematografica
Production Countries:
Germany | Italy
Ratings / Certifications:
N/A
Runtime: 98
John Baxter is a freewheeling trader of goods in Africa with a pet chimpanzee and one dream: to save enough money to buy a gas station in Detroit.
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Assistant Camera:
Maurizio La Monica
Enzo Tosi
Assistant Director:
Gianni Cozzo
Fanny Wessling
Assistant Editor:
Sante Discepoli
Assistant Makeup Artist:
Gino Zamprioli
Boom Operator:
Maurizio Gallo
Camera Operator:
Roberto Forges Davanzati
Conductor:
Guido De Angelis
Maurizio De Angelis
Costume Design:
Luca Sabatelli
Director:
Michele Lupo
Director of Photography:
Roberto Gerardi
Dresser:
Rosanna Andreoni
Editor:
Eugenio Alabiso
Gaffer:
Luigi Pasqualini
Grip:
Alfredo Dioguardi
Hairstylist:
Anna Graziosi
Location Scout:
Antonio Corridori
Makeup Artist:
Franco Corridoni
Walter Cossu
Master at Arms:
Nazzareno Zamperla
Original Music Composer:
Maurizio De Angelis
Guido De Angelis
Post Production Supervisor:
Ferruccio Amendola
Producer:
Salvatore Alabiso
Production Assistant:
Lamberto Andreani
Claudio Cuomo
Bruno Frascà
Production Design:
Piero Filippone
Production Manager:
Ernst Ritter von Theumer
Production Supervisor:
Claudio Cuomo
Bruno Frascà
Thomas Sagone
Screenplay:
Mario Amendola
Bruno Corbucci
Gabrielle Martin
Script Supervisor:
Francesca Roberti
Sound Effects:
Italo Cameracanna
Sound Engineer:
Pietro Spadoni
Sound Mixer:
Franco Bassi
Still Photographer:
Angelo Pennoni
Stunts:
Roberto Dell'Acqua
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.