M*A*S*H: When Television Changed Forever (2022) [N/A]

Release Date:
September 13, 2022

Original Title:
M*A*S*H: When Television Changed Forever

Genres:
Documentary

Production Companies:
AMS Pictures
ReelzChannel

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 45

In M*A*S*H: When Television Changed Forever cast and crew reveal their battles with network executives to keep the show alive, their first days on set, favorite episodes, what they think made the show a mega hit and why it endures today.

Additional information:

The Search Form


Archival Footage Coordinator:
Lara Beth Livingston

Art Direction:
Margaret Cloud

Assistant Editor:
Emma Segoviano
Randy McDaniel

Associate Producer:
Megan Armas
Christopher Bared
Michael Tessler
Phoenix Roberts

Director:
Brad Osborne

Director of Photography:
Osman Tello

Editor:
James Sharp
Brad Osborne
Robbie Hague

Electrician:
Israel Pedraza

Executive Producer:
Andy Streitfeld

Gaffer:
Brian Cwiakala

Producer:
Brad Osborne

Production Manager:
Katie Chase

Researcher:
Essence Hayes

Second Unit:
Matt Aslanian
Michael Gorsky

Sound Editor:
Ryan Sprinkle

Writer:
Sara Gauchat
Brad Osborne
Eric Weinthal

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.