A work in constant progress (and occasional regress).
Featuring:
Sally Kellerman, Dave Thomas, Andrea Martin
Written by:
Jay Ward
Charles Fradin
Brad Hall
Directed by:
Charles Martin Smith
Release Date:
April 17, 1992
Original Title:
Boris and Natasha
Genres:
Action | Adventure | Comedy
Production Companies:
Management Company Entertainment Group (MCEG)
Production Countries:
United States of America
Ratings / Certifications:
US: PG
Runtime: 87
Sent by Fearless Leader to America to find an important microchip, dastardly Pottsylvanian spies Boris Badenov and Natasha Fatale begin questioning who they're working for and why.
Boris Badenov and Natasha Fatale are still spies for the mean little country of Pottsylvania, where, sandwiched between the nations Wrestlemania and Yoursovania, the Cold War is still frigid. Their Fearless Leader hatches a plan to capture a time-reverse micro-chip, using the two spies as high-profile patsies. They clumsily defect to America and try to unravel F.L.'s master plan. But can these dim-witted fools survive a secret assassin, exploding potatoes and the temptations of capitalism? And what of their old foes, "Moosk unt Squoirrel"?
Art Direction:
Donna Stamps
Associate Producer:
Charles Fradin
Casting:
Marla Tate
Characters:
Jay Ward
Costume Design:
Peter Mitchell
Giovanna Ottobre-Melton
Director:
Charles Martin Smith
Director of Photography:
Daryn Okada
Editor:
Maysie Hoy
Patrick Kennedy
Executive Producer:
Sally Kellerman
Hairstylist:
Frank C. Montesanto
Ann Montesanto
Makeup Supervisor:
Cheri Montesanto
Original Music Composer:
David Kitay
Producer:
Jonathan D. Krane
Production Design:
Philip Dean Foreman
Screenplay:
Anson Downes
Linda Favila
Charles Fradin
Story:
Charles Fradin
Brad Hall
Stunt Coordinator:
Dan Bradley
Stunts:
Donna Evans
Rick Avery
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.